Edinburgh Napier University

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Celebrating International Women’s Day

 Celebrating International Women’s Day

Inspiring women of Scotland

Celebrating International Women’s Day in Scotland,  we thought it might be nice to pay homage to some incredible Scottish women both alive and sadly gone. We can only fit in a few here so if you are interested in learning more, why not look up some more information at librarysearch.napier.ac.uk

Christina Miller

Photo of Christina Miller

Source: Heriot Watt University

One little know Scottish woman whose story deserves to be better remembered is Christina Miller. Despite being born female and hearing impaired in 1899, and later losing her sight in one eye, she battled against the norms of the time to become a respected analytical chemist. In addition, she was an inspirational teacher and mentor to generations of students.

Miller was awarded the Keith Prize by the Royal Society of Edinburgh for her scientific paper on phosphorus trioxide. She became one of the first 5 women to be elected to the Royal Society of Edinburgh. There is even a building at the University of Edinburgh named after her.

Photo of Mukami McCrum

Source: British Library

Mukami McCrum

An all-round amazing person, Mukami McCrum has lived in Scotland most of her life. Mukami fights for women’s rights, in particular BAME and LGBT women who need support from domestic abuse. Furthermore, she is one of the founders of Shakti Women’s Aid and campaigns to end Female Genital Mutilation.

She was the chief executive of Central Scotland Racial Equality Council and has brought her deep commitment to race and gender justice to many organisations, including Akina Mama wa Afrika, World Council of Churches, and Responding to Conflict Trust. She has an MBE for her community and human rights work.

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Scottish Traditions: Burn’s Night

Scottish Traditions: Burn’s Night

Burns Night is a traditional celebration of Scotland’s national bard, or poet, Robert Burns. It is held on 25th January, Burns’s birthday, when Burns suppers are held. They consist of a meal, poetry recitals and songs. The first supper was held at Burns Cottage by his friends on 21st July 1801, the fifth anniversary of his death.

If you think that you don’t know any of Burns’s work, ask yourself if you have ever sung Auld Lang Syne on Hogmanay/New Year’s Eve or used the lines “My love is like a red, red rose” on a Valentine card. If you have then you are familiar with some of his best-known work. Burns wrote his first poem aged 15 and in his short life wrote a vast number of songs and poems that can be accessed here. He wrote in a light Scots dialect which was easier for those outside Scotland to understand and often wrote about very humble subjects, for example, his poem “To a Mouse” is inspired by the field mice Burns saw while ploughing on his farm.

The Life of Robert Burns

Burns was born on 25th January 1759 in Alloway south of Ayr, the son of poor tenant farmers. He received little regular schooling, but his father taught him to read and write along with arithmetic, history and geography. He was also taught Latin, French and maths by John Murdoch.

For much of his life Burns, like his father, was a tenant farmer, all the while writing poetry and songs. But he struggled to make a living from farming and when he was offered a position on a plantation in Jamaica, he decided to emigrate. He could not afford the passage and a friend suggested he try to publish some of his work to raise the funds. In 1786 Poems in the Scottish Dialect was published and became an immediate success. Later that year Burns left for Edinburgh to publish a second edition which again was successful and earned him a substantial sum of money. He was well received in Edinburgh, often a guest of aristocracy, and made many friends, some becoming sponsors.

In 1787 Burns returned to southwest Scotland taking a lease on a farm in Dumfriesshire, but he also trained as an exciseman in case the farm was unsuccessful. He gave up farming in 1791 and moved to Dumfries where he made contributions to several volumes of songs, sometimes adding his own lyrics to traditional folk melodies and composing his own melodies from fragments of tunes. He continued to write poetry too, some advocating reform such as “The Slaves Lament”.

He continued to work as an exciseman, often making long journeys on horseback in all weathers and this may have contributed to his ill-health at a rather young age for the time. On 21st July 1796 Burns died aged just 37.  His body lies in the Burns Mausoleum is St. Michael’s Kirkyard, Dumfries along with that of his wife at the time, Jean Armour.

Burns is renowned for having had many romantic relationships which resulted in several children being born, although not all survived infancy. Today over 900 people worldwide claim to be descendants of Burns.

Host your own Burns Night

Due to covid-19 restrictions, many Burn’s suppers will be cancelled this year, but you could host your own with your household.

Need some inspiration to host your own Burns Supper? Why not try out some Burns Night recipes here. Penguin books have a guide on how to run your night and for inspiration, you can listen to or read some of Burns’s work through our Library.

By Vivienne Hamilton

Learn about other World traditions on our blog by reading:

New Year Traditions from Around the World

Spanish Christmas Traditions

World Heart Day 2022: Defibrillators

World Heart Day 2022: Defibrillators

Awareness of the importance of defibrillators has become much more prevalent in our society. So much so that they have been placed around the country in useful places. The university has Automated External Defibrillators (AEDs) available on all our campuses.

Why have AEDs?

Portable AEDs are lightweight devices that are relatively easy to operate and are intended for use in emergency situations. They can be used when a casualty has a serious cardiac rhythm disturbance causing unconsciousness, such as a heart attack. AEDs are not effective for all cardiac emergencies, but they are of benefit in a small proportion of acute emergencies.

An AED acts to correct abnormal heart rhythms by applying an electric shock to the chest. It detects the electrical activity of the heart and gives automated instructions to the operator on what to do. The automatic diagnostic sequence ensures that they will only operate under appropriate circumstances thus preventing their incorrect use. The quicker lifesaving first aid and a defibrillator are used on a casualty, the better the outlook for survival. The Resuscitation Council (UK) guidelines strongly promote the availability of AEDs and the fact they can be operated by any person is widely publicised.

Is an AED difficult to use?

The type of AED installed by the University has been chosen as a type that is suitable for any person to use. It will not apply an electric shock to a casualty unless it is appropriate. At every stage the equipment talks to the user, instructing them on what to do. Whilst many First Aiders have also received additional training in the use of AEDs, training is not a pre-requisite for use.

Do you know where they are situated?

AEDs are provided by the University at the following points:

  • Merchiston Campus: adjacent to disabled toilets – bottom of stairs
  • Sighthill Campus: left of reception outside lift
  • Craiglockhart Campus: left of the reception desk

In addition to the above locations, AEDs are also located in several other areas throughout the University.

  • [EN]GAGE, Sports Centre, Sighthill Campus – located behind the reception desk
  • School of Applied Sciences, Sighthill Campus – outside room 3.C.13
  • School of Applied Sciences, Sports Centre, Sighthill Campus – 0.F.07
Next steps

Should an emergency occur and you are using the AED, ask someone else to contact (0131) 455 4444 (Security Control available 24/7) giving precise details of the location – building, floor and room number and they will call for an ambulance. If you are alone with the casualty, you will need to do this yourself.

If you wish to familiarize yourself with some common first aid techniques, there are books available in the library for you to read:

First aid manual: the authorised manual of St John Ambulance, St Andrew’s First Aid and the British Red Cross.

Practical First Aid

New First Aid in English

Written By Vivienne Hamilton

Learn more about our Campuses below:

Merchiston

Craiglockhart

Sighthill

Scottish Traditions: Burn’s Night

Burns Night

Burns Night is a traditional celebration of Scotland’s national bard, or poet, Robert Burns. It is held on 25th January, Burns’s birthday, when Burns suppers are held. They consist of a meal, poetry recitals and songs. The first supper was held at Burns Cottage by his friends on 21st July 1801, the fifth anniversary of his death.

If you think that you don’t know any of Burns’s work, ask yourself if you have ever sung Auld Lang Syne on Hogmanay/New Year’s Eve or used the lines “My love is like a red, red rose” on a Valentine card. If you have then you are familiar with some of his best-known work. Burns wrote his first poem aged 15 and in his short life wrote a vast number of songs and poems that can be accessed here. He wrote in a light Scots dialect which was easier for those outside Scotland to understand and often wrote about very humble subjects, for example, his poem “To a Mouse” is inspired by the field mice Burns saw while ploughing on his farm.

The Life of Robert Burns

Burns was born on 25th January 1759 in Alloway south of Ayr, the son of poor tenant farmers. He received little regular schooling, but his father taught him to read and write along with arithmetic, history and geography. He was also taught Latin, French and maths by John Murdoch.

For much of his life Burns, like his father, was a tenant farmer, all the while writing poetry and songs. But he struggled to make a living from farming and when he was offered a position on a plantation in Jamaica, he decided to emigrate. He could not afford the passage and a friend suggested he try to publish some of his work to raise the funds. In 1786 Poems in the Scottish Dialect was published and became an immediate success. Later that year Burns left for Edinburgh to publish a second edition which again was successful and earned him a substantial sum of money. He was well received in Edinburgh, often a guest of aristocracy, and made many friends, some becoming sponsors.

In 1787 Burns returned to southwest Scotland taking a lease on a farm in Dumfriesshire, but he also trained as an exciseman in case the farm was unsuccessful. He gave up farming in 1791 and moved to Dumfries where he made contributions to several volumes of songs, sometimes adding his own lyrics to traditional folk melodies and composing his own melodies from fragments of tunes. He continued to write poetry too, some advocating reform such as “The Slaves Lament”.

He continued to work as an exciseman, often making long journeys on horseback in all weathers and this may have contributed to his ill-health at a rather young age for the time. On 21st July 1796 Burns died aged just 37.  His body lies in the Burns Mausoleum is St. Michael’s Kirkyard, Dumfries along with that of his wife at the time, Jean Armour.

Burns is renowned for having had many romantic relationships which resulted in several children being born, although not all survived infancy. Today over 900 people worldwide claim to be descendants of Burns.

Host your own Burns Night

Due to covid-19 restrictions, many Burn’s suppers will be cancelled this year, but you could host your own with your household.

Need some inspiration to host your own Burns Supper? Why not try out some Burns Night recipes here. Penguin books have a guide on how to run your night and for inspiration, you can listen to or read some of Burns’s work through our Library.

By Vivienne Hamilton

Learn about other World traditions on our blog by reading:

New Year Traditions from Around the World

Spanish Christmas Traditions

Book Week Scotland (15th- 21st November 2021)

book week scotland poster

As the nights draw in and winter approaches you might be thinking about the pleasure of cosying up on the sofa with a good book and, if you’re wondering what to read next, look no further!

Book Week Scotland is celebrating its tenth anniversary this year and between 15th and 21st of November, there are events taking place across the country to celebrate books and the joy of reading. This annual celebration is organised by the Scottish Book Trust (SBT) working in partnership with libraries and organisations throughout Scotland. They organise digital or in-person events including workshops, author readings, film showings or the spoken word, to reach a wide range of audiences across all age groups. Check the website for events taking place online or near you.

Every year, the SBT hosts Your Stories, a writing project which aims to encourage members of the public to reflect upon and share aspects of their lives inspired by a theme. The theme this year was Celebration. Anyone can submit a piece of writing and each story submitted is published on the website. A selection of these stories has been published in a book, Celebration, which is freely available in venues up and down the country during Book Week Scotland. The book is also available as a PDF or to download from the SBT website. If you’ve ever considered writing but haven’t known where to begin, the SBT website provides a range of resources to help you get started.

We are pleased to let you know there will be copies of Celebration available (for free!) to collect in all three Edinburgh Napier University Libraries and in the three student residences during Book Week Scotland (while stocks last). Pick up your copy before it’s too late!

Enjoy Book Week Scotland; whether you go to an event, pick up that book you’ve been meaning to read for so long, or simply take a moment to reflect on a celebration meaningful to you.

You can join Book Week Scotland on Facebook at facebook.com/BookWeekScotland

You can follow Book Week Scotland’s Twitter updates at twitter.com/BookWeekScot, and using the hashtag #BookWeekScotland

scottishbooktrust.com

 

By Sarah Jeffcott

What is COP-26? The Climate change Conference of Parties

COP26 Image

All eyes will be on Scotland this month as leaders from across the globe meet in Glasgow to attend COP-26: the climate change Conference of Parties. You may be wondering what the 26 stands for? Well, it’s the 26th annual summit since the United Nations Framework Convention on Climate Change (UNFCCC) treaty was signed in 1994. So, that’s 27 years that we’ve been arguing about change while the world’s environment has been steadily deteriorating.

There is another significance to the number 26 – the Conference has 26 goals that it intends to achieve. The first is to secure global net-zero emissions by 2030 and limit global warming to 1.5 degrees. We are currently not on target, and 2030 is only nine years away.

If you’re keen to find out what the other 25 goals are, you can read the official document here.

Of course, we’re conscious of the fact that we are the host nation for this crucial summit, and we wish our Glasgow friends and neighbours well. We know they’ll be fantastic hosts. We’re hopeful that harmony will prevail and that the leaders come to a unanimous agreement about how to save our (only) planet.  First Minister Nicola Sturgeon is certainly determined that this will happen and pledged in a speech on October 25th that “Scotland is seeking to lead by example”. Read what she has to say here.

A bit closer to home, the COP26 Edinburgh Summit takes place on 3rd and 4th at the Dovecot Studios in Infirmary Street, with a range of speakers and business leaders discussing their climate visions for our own city.

And here at Edinburgh Napier, we are committed to achieving our own net-zero in carbon emissions. Read about our commitments here and be sure to hold our feet to the fire!

Read more on Climate Change using Librarysearch.napier.ac.uk and you can read more about Sustainability in Academic Libraries here.

By Lesley McRobb

 

 

Remembrance Day and The Poppy

World War One, Remembrance Day and The Poppy

The battles of the First World War (WWI) devastated the countryside of Western Europe. One of the plants that survived the churned-up battlefields was the poppy. As the soldiers saw scarlet poppies bloom through the terrible destruction, they were encouraged to see that life could recover. One soldier, Lieutenant Colonel John McCrae was inspired to write the poem, In Flanders Fields, in the spring of 1915. 

“In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky 

The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie, 

 In Flanders fields

Take up our quarrel with the foe: 

To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Subsequently, Since WW1 the poppy has become the universal emblem of remembrance, symbolising the sacrifices that soldiers in past wars made for us. 

The Selling of Poppies

In the United Kingdom, artificial poppies are sold by the Royal British Legion in the run-up to 11th November (Poppy Day). Importantly this is when the Armistice (an agreement to end the fighting) began at 11am on 11th November 1918. Furthermore, sales from the poppies go to providing financial, social and emotional support to British Armed Forces serving soldiers, former soldiers and their dependents. This year is the centenary of the UK Poppy Appeal. 

The original Poppy Days were created by Madame Guerin to raise funds for the French widows and orphans of the War. In 1921 she took samples of her artificial poppies to the Royal British Legion and proposed an Inter-Allied Poppy Day during which all WW1 allied countries use artificial poppies as an emblem of remembrance.

The poppies would be made by French widows and orphans and raise funds for the families of the fallen as well as survivors of the conflict. Although the idea was initially not well received by the British public, the WW1 British Army commander Earl Haig was keen, and after that, when the Royal British Legion held its first Poppy Day on 11th November 1921, it was a great success. Those first poppies were made in France, but from 1922 British veterans made the poppies at the Richmond factory which now employs 50 ex-servicemen all year round. In 1926 Lady Haig’s Poppy Factory in Edinburgh was established to produce poppies for Scotland. Over 5 million Scottish poppies are made by hand each year. 

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Welcome back to campus

Picture of Library staff

Welcome back to our returning students. We hope you enjoyed your summer and are ready for the new academic year. You will find there are still some covid-19 precautionary measures in place in the library and here is a short guide to let you know what has changed and what has stayed the same:

The Library opening hours can be viewed here.

Hand sanitisers are still at library entrances, and sanitizing stations are still positioned throughout libraries.

We are still operating social distancing measures, so some study spaces are unavailable. Where spaces are not in use you will see a cross on the desk and the chair will be covered up.

Group study rooms must be booked using Resource Booker, but individual spaces do not need to be booked.

Our Click and collect service continues, and you can still request books from your home campus.

Books and Lapsafe laptops which have been on loan over the summer will be due back by 1st October. After that, books will have a loan period of up to 4 months providing they are not requested by another user. Lapsafe laptops will be 14-day loans.

From 14th September you will be able to make requests for items that are out on loan.

Soft furnishings have been returned to the libraries allowing social spaces and relaxation spaces to be opened up.

The SCONUL access scheme is set to re-start in November.

If you have any questions, you can contact the library at any time.

By Vivienne Hamilton

War Poets Collection: Remembering Siegfried Sassoon

Siegfried Sassoon

September is the time when we celebrate the acclaimed war poet Siegfried Sassoon.

Siegfried Sassoon was born 8th September 1886, and died in 1967, on September 1st. Sassoon was a talented poet, writer and soldier. He received the Military Cross for bravery during the First World War.

He wrote fervent pieces that spoke of compassion for his fellow soldiers, and his anger towards those he believed could have ended the war sooner but instead prolonged it.

Sassoon continued to write for the rest of his life, publishing many important works such as Memoirs of a Fox-Hunting Man and Memoirs of an Infantry Officer.

 

Sassoon was sent to Craiglockhart War Hospital (Now our Craiglockhart campus) during World War One. Here he met Wilfred Owen during his convalescence, and together they produced some of the finest war poetry ever written.

Craiglockhart War Hospital (old Hydropathic Hotel) photographs of Staff and patients

Craiglockhart War Hospital

You can visit our permanent exhibition area containing more than 600 unique items. It allows visitors to get an insight into war through the experiences of the poets. Access to the War Poets Collection remains limited due to social distancing, so if you would like to visit please contact us first.

The War Poets collection at Craiglockhart campus

Not only do we have many items in our permanent exhibit, but we also have a treasure trove of exciting new material. It has been loaned to Edinburgh Napier’s War Poets Collection for the period covering the Centenary of the First World War Armistice on November 11th. The new exhibits, which will be available for public viewing, include original photographs of celebrated war poet Siegfried Sassoon, work privately printed by him and an original of his famous war protest letter of July 1917. Read more about it here.

If you would like to read some of his works, here are some sources:

 

For Library Members

Siegfried Sassoon: poet’s pilgrimage

Siegfried Sassoon : (1886-1967)

Dr W. H. R. Rivers: Siegfried Sassoon and Robert Graves ‘fathering friend’

You can check out Librarysearch.napier.ac.uk for access to many more wonderful University materials

Online

10 Siegfried Sassoon Poems Everyone Should Read

The Siegfried Sassoon Fellowship

 

Thank you for reading.

 

Sources

http://www.bbc.co.uk/history/historic_figures/sassoon_siegfried.shtml

https://siegfriedsfellowship.wixsite.com/siegfriedsassoon

War Poets Collection

 

 

 

Highland Games

Highland Games are a traditional event held in many Scottish towns during the summer and are a mixture of sporting, cultural and social events. The well-known events such as tossing the caber and the hammer throw are only for the strongest and fittest competitors!

Origin and history

It is believed that the Highland Games originated in Ireland around 2000BC and they were brought to Scotland with 4th and 5th century migrations of the Scotti people into Dalriada (Argyll). The games may have become a way of choosing the strongest and most able men for the household of clan chieftains, with musicians and dancers also sought to add prestige to the clan. The first historical reference to Highland Games-type events was made during the 11th century. They were banned following the Battle of Culloden in 1746 but the ban was lifted in the early 19th century.

The Braemar Gathering is the most famous of all Highland Games. Queen Victoria attended the games in 1838 and royal support has continued since then. Queen Victoria’s endorsement of the games ensured the growth of such events and their export around the world. Highland Games now take place in many different countries, particularly countries where Scots emigrated to in large numbers such as Canada, USA, Australia and New Zealand.

The Ceres Games in Fife are considered the oldest, continuous Highland Games in Scotland and began in 1314.

 

Highlands, Scotland

tom-sam-vimAWMP0w4I-unsplash.jpg

Events

It wouldn’t be a Highland Games without the traditional strong man events such as tossing the caber and the tug of war.

Tossing the caber-The caber is a large wooden pole and the name derives from the Gaelic word cabar which refers to a wooden beam. The caber is around 20 feet long and normally weighs around 150 pounds. Competitors must balance the caber in their hands and perform a run-up before they toss it. Throws are judged on their straightness – a perfect toss sees the small end of the caber facing away from the thrower at a 12 o’clock angle.

Hammer throw-The “hammer” used consists of a metal ball weighing around 22 pounds attached by a steel wire to a grip. Competitors use the handle to whirl the hammer around their head and throw it as far as they can.

Tug of war-This event involves teams of eight pulling against another team of eight, encouraged by another team member who shouts instructions and encouragement to spur their team to pull the other one across the line to win the event.

 

These competitions make the games a thrilling event, but to add to the spectacle there are also other attractions.

Highland dancing – Dancers give dazzling displays on pointed toes of dances such as the Highland Fling and the sword dance. They wear colourful tartan outfits and compete in solo and group events.

Pipe bands-They will play for entertainment and in competitive events.

More recently Highland Games have become a celebration of country life and many now include events such as:

Animal exhibitions-Displays of Highland cattle, Clydesdale horses and Shetland ponies.

Sheep dog trials-Competitions against the clock.

Food stalls-Showcasing local produce with free tastings.

Arts and crafts.

Re-enactments-Groups give displays of sword fights, spinning yarn and cooking.

More recently novelty events have been added such as wellie throwing and tossing the haggis.

Sadly due to ongoing coronavirus restrictions most of Scotland’s major events have been cancelled this year. A few events are still going ahead and the calendar can be viewed here.

Hopefully you will be able to visit a Highland Games in the future and get to enjoy all they have to offer.

Sword carving

markus-spiske-DRtaBL8Xx24-unsplash.jpg

 

Article written by Vivienne Hamilton

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