Edinburgh Napier University

Category: War Poets

Uncovering Hidden Histories: Provenance research internships in the Edward Clark Collection

Uncovering Hidden Histories: Provenance research internships in the Edward Clark Collection 

 

During July, the University’s Heritage Collections department hosted two student interns whose intrepid research skills greatly helped us to find information about past owners, donors and custodians of the rare books held within the Edward Clark Collection. Here, Natalie Quinn (MSc in Publishing) talks about their experience of their internship.

My Experience as a Special Collections Intern

You might think that completing an internship, alongside writing a 15,000-word Master’s dissertation and working a part-time job, sounds like a crazy idea. You would be right. However, when I saw the opportunity to work with the library’s special collections department to identify provenance marks in books in the Edward Clark Collection, I just couldn’t let that pass me by. Earlier this year, I volunteered at a charity shop to help with the sorting, pricing, and shelving of books. This experience ignited my interest in the journeys that books go on as they pass between owners, and the notes left inside that tell us more about their histories. Therefore, I was immediately attracted to this internship and couldn’t wait to see which little remnants of history I would uncover.

Uncovering Hidden Histories: Provenance research internships in the Edward Clark Collection  Book image

[Figure 1: Inscription reading “Henry E. Napier to Lady Augusta Fox, Florence, Sept[embe]r 17th, 1838. ‘Pochi compagni avrai pepl’altra via; Tanto ti prego piu, gentile spirto, non lafear la magnanima tua impresa.’” (ECC E51).]

This internship has involved me going through many of the books in the Edward Clark Collection, from enormous tomes to the tiniest volumes, and looking at every page to record any evidence of where the book came from and who may have owned it. From something as inconsequential as a leaf pressed between the pages to bookplates and inscriptions bearing the names and dates of the books’ previous owners, these books had so much to reveal. My focus was on books from the nineteenth century, an era in which I am particularly interested, and I really appreciated how I was able to tailor the internship to my own curiosities.

Uncovering Hidden Histories: Provenance research internships in the Edward Clark Collection Book image

[Figure 2: Inscription reading “J.W. Frampton, from his affectionate father, August 12th 1859” (ECC E68).]

 

I have gained so much from this internship, from learning that small drawings of hands with a finger pointing to the text, called manicules, were used for centuries in the same way we might use a highlighter to draw attention to important text, to discovering that a different calendar was used in France for twelve years following the French revolution. The latter I discovered from the one word I was able to decipher from a French letter stuck in the back of a book, the owner of which I later uncovered was in Brussels during the Battle of Waterloo and recorded his experiences in his journal.

Uncovering Hidden Histories: Provenance research internships in the Edward Clark Collection

[Figure 3: Letter pasted in the back of the book entitled Napoléon en Prusse: poème épique en douze chants (ECC E3).]

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World Poetry Day

World Poetry Day

21st March 2023

World Poetry Day celebrates a style of literature as old as language itself, spanning all cultures and continents. With stylistic forms and sub genre’s developing and evolving from generation to generation. Poetry has been used to highlight and express issues of the time, evoke an emotional response and inspire calls to action. To demonstrate the potency of words nonsensical poems such as the Jabberwocky have also been used in a light-hearted manner to portray humour.

It was for these reasons UNESCO (United Nations Education, Science, Cultural Organisation) decided at its 30th General Conference in Paris in 1999 to dedicate a day to all forms of poetry. Its purpose is to support

“….linguistic diversity through poetic expression and increasing the opportunity for endangered languages to be heard….  occasion to honour poets, revive oral traditions of poetry recitals, promote the reading, writing and teaching of poetry, foster the convergence between poetry and other arts such as theatre, dance, music and painting, and raise the visibility of poetry in the media. As poetry continues to bring people together across continents, all are invited to join in”.

If you think poetry is not for you then think again, because lyrics in songs use the same/similar techniques and styles as those used in poetry. Adding catchy rhythms, tempos, & melodies to enhance the impact and emotional states of the listener.

So, will you be doing something for World Poetry Day?

  • Perhaps visit your library and browse their poetry collection and see what appeals to you, or visit Literature Online to see what poetry works are available to listen to or read.

Just for Fun:

  • Who is your favourite Poet and why?
  • Do you have a favourite poem?
  • Do you have a favourite style of poem writing?

I’ll go first:

  • No
  • Tom Tantol’s version of John Clare’s poem I am, left a lasting impression on me. I still very much enjoy listening to the piece and the depth of meaning that is hidden within its words and delivery.  Check it out on YouTube here.
  • No

References

World Poetry Day | UNESCO

History of poetry – Wikipedia

By Mo Almas

Interested in The Poetry of the WW1 War Poets? Here at Edinburgh Napier University, we have a stunning collection of their works. Check out the webpage here: War Poets Collection, or read some of the amazing posts on our blog:

National Poetry Day 6th October

The War Poets Collection: Siegfried Sassoon and Dr Brock

Image by Image by cromaconceptovisual from Pixabay

Remembrance Day and The Poppy

World War One, Remembrance Day and The Poppy

The battles of the First World War (WWI) devastated the countryside of Western Europe. One of the plants that survived the churned-up battlefields was the poppy. As the soldiers saw scarlet poppies bloom through the terrible destruction, they were encouraged to see that life could recover. One soldier, Lieutenant Colonel John McCrae was inspired to write the poem, In Flanders Fields, in the spring of 1915. 

“In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky 

The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie, 

 In Flanders fields

Take up our quarrel with the foe: 

To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Subsequently, Since WW1 the poppy has become the universal emblem of remembrance, symbolising the sacrifices that soldiers in past wars made for us. 

The Selling of Poppies

In the United Kingdom, artificial poppies are sold by the Royal British Legion in the run-up to 11th November (Poppy Day). Importantly this is when the Armistice (an agreement to end the fighting) began at 11am on 11th November 1918. Furthermore, sales from the poppies go to providing financial, social and emotional support to British Armed Forces serving soldiers, former soldiers and their dependents. This year is the centenary of the UK Poppy Appeal. 

The original Poppy Days were created by Madame Guerin to raise funds for the French widows and orphans of the War. In 1921 she took samples of her artificial poppies to the Royal British Legion and proposed an Inter-Allied Poppy Day during which all WW1 allied countries use artificial poppies as an emblem of remembrance.

The poppies would be made by French widows and orphans and raise funds for the families of the fallen as well as survivors of the conflict. Although the idea was initially not well received by the British public, the WW1 British Army commander Earl Haig was keen, and after that, when the Royal British Legion held its first Poppy Day on 11th November 1921, it was a great success. Those first poppies were made in France, but from 1922 British veterans made the poppies at the Richmond factory which now employs 50 ex-servicemen all year round. In 1926 Lady Haig’s Poppy Factory in Edinburgh was established to produce poppies for Scotland. Over 5 million Scottish poppies are made by hand each year. 

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War Poets Collection: Remembering Siegfried Sassoon

Siegfried Sassoon

September is the time when we celebrate the acclaimed war poet Siegfried Sassoon.

Siegfried Sassoon was born 8th September 1886, and died in 1967, on September 1st. Sassoon was a talented poet, writer and soldier. He received the Military Cross for bravery during the First World War.

He wrote fervent pieces that spoke of compassion for his fellow soldiers, and his anger towards those he believed could have ended the war sooner but instead prolonged it.

Sassoon continued to write for the rest of his life, publishing many important works such as Memoirs of a Fox-Hunting Man and Memoirs of an Infantry Officer.

 

Sassoon was sent to Craiglockhart War Hospital (Now our Craiglockhart campus) during World War One. Here he met Wilfred Owen during his convalescence, and together they produced some of the finest war poetry ever written.

Craiglockhart War Hospital (old Hydropathic Hotel) photographs of Staff and patients

Craiglockhart War Hospital

You can visit our permanent exhibition area containing more than 600 unique items. It allows visitors to get an insight into war through the experiences of the poets. Access to the War Poets Collection remains limited due to social distancing, so if you would like to visit please contact us first.

The War Poets collection at Craiglockhart campus

Not only do we have many items in our permanent exhibit, but we also have a treasure trove of exciting new material. It has been loaned to Edinburgh Napier’s War Poets Collection for the period covering the Centenary of the First World War Armistice on November 11th. The new exhibits, which will be available for public viewing, include original photographs of celebrated war poet Siegfried Sassoon, work privately printed by him and an original of his famous war protest letter of July 1917. Read more about it here.

If you would like to read some of his works, here are some sources:

 

For Library Members

Siegfried Sassoon: poet’s pilgrimage

Siegfried Sassoon : (1886-1967)

Dr W. H. R. Rivers: Siegfried Sassoon and Robert Graves ‘fathering friend’

You can check out Librarysearch.napier.ac.uk for access to many more wonderful University materials

Online

10 Siegfried Sassoon Poems Everyone Should Read

The Siegfried Sassoon Fellowship

 

Thank you for reading.

 

Sources

http://www.bbc.co.uk/history/historic_figures/sassoon_siegfried.shtml

https://siegfriedsfellowship.wixsite.com/siegfriedsassoon

War Poets Collection

 

 

 

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