Edinburgh Napier University Library blog. Filled with useful and fun blog articles on using the Library, the University, Edinburgh and many other fun topics.

Tag: Edinburgh (Page 1 of 5)

Scottish Surfing: Riding the wave from Tahiti to Edinburgh

Scottish Surfing: Riding the wave from Tahiti to Edinburgh

Surfing isn’t probably the first thing you think of when you think about Scotland. Cold north seas and a people known for their kilts rather than their wetsuits come more to mind. Still, there’s a surprising popularity for the sport here and a growing uptake to ride the Scottish waves. Admittedly, the latest waves are in an old quarry, but it counts. Read on to find out more about Surfing, Scotland and the latest wave technology,

Surfing History

Surfing began in Polynesia more than 1,000 years ago, where Pacific Islanders rode waves for sport, status, and spiritual practice. Hawaii took the tradition furthest, developing it into something closer to an art form. There, surfing was called heʻe nalu, meaning “wave sliding,” and it carried real social weight. Chiefs proved their right to lead by riding the best waves on the finest boards, while commoners surfed too, but on simpler equipment and lesser breaks.

Captain Cook’s crew witnessed surfing firsthand in the 1770s, and Joseph Banks recorded Tahitians riding waves as early as 1769. Soon after, missionaries arrived in Hawaii and disapproved of the sport, viewing it as immodest and disruptive. Their influence took hold, and surfing nearly disappeared by the late 1800s.

Then came the revival. Hawaiian waterman Duke Kahanamoku helped restore the sport in the early 1900s, carrying it to California and Australia along the way. His name is still woven into surfing’s modern identity.

Britain’s Unlikely First Surfer

Britain’s first surfer was not a beach bum, but a middle-aged agricultural professor named John Wrightson.

In September 1890, two Hawaiian princes, David Kawānanakoa and Jonah Kūhiō Kalanianaʻole, were studying at Wrightson’s college in Wiltshire (please check out their excellent moustaches). Their guardian took them to Bridlington on England’s east coast as a reward for good schoolwork. There, in the grey North Sea, the princes built boards from local timber and surfed, and Wrightson joined them, reputedly becoming the first Briton ever to surf.

A letter from Prince Kūhiō survives today, written to the Hawaiian consul about the trip. In it, he described the rough seas and noted how quickly Wrightson was picking up the sport.

There is a Scottish thread here too. The princes’ cousin was Princess Victoria Kaʻiulani, heir to the Hawaiian throne, who was half Hawaiian and half Scottish, with a father from Edinburgh. So Hawaiian and Scottish royalty were connected decades before anyone surfed a Scottish wave.

Surfing Arrives in Scotland

Scotland’s surf scene grew slowly, then quickly, a bit like catching a wave. In the early 1970s, surfers explored the coastline, trying Machrihanish first before pushing north toward Bettyhill near Thurso. Scotland held its first surfing championships at Bettyhill in 1973, and soon after, a surfer named Pat Kieran discovered the reef at Thurso East and wrote home about it, drawing more surfers north.

Thurso transformed from a quiet fishing town into a coldwater surfing destination, and today it ranks among the best right-hand reef breaks in the world. Surfers founded the Scottish Surfing Federation in 1975, and it still operates today under the name Scottish Surfing. Spots emerged across the country, from Fraserburgh in the east to Tiree in the west, and because Scotland’s waters stay cold year-round, its surfers tend to be hardy and committed.

Lost Shore: A Wave Without an Ocean

Scotland recently added something its coastline could never offer on its own: a perfect wave, on demand, just outside Edinburgh.

Lost Shore Surf Resort opened on 11 November 2024 in Ratho, in a former quarry about 25 minutes from the city centre. It cost roughly £60 million to build, and it is the UK’s first inland surf resort and currently Europe’s largest wave pool. Wavegarden Cove technology powers the lagoon, generating up to 1,000 waves an hour across more than 20 wave types, suited to beginners and elite athletes alike. The resort also includes lodges, camping pods, a sauna, and restaurants.

The numbers are striking. In its first year, Lost Shore drew over 100,000 visitors, created more than 130 jobs, and added around £11 million annually to the local economy. I personally cannot wait to get out there and have a go at surfing now the summer is here.

Edinburgh Napier University and the Surf Lab

Lost Shore did not stop at building a wave pool. It partnered with Edinburgh Napier University to create something new called the Surf Lab.

The Surf Lab officially launched in October 2025, and it is described as the world’s first research collaboration between a university and a commercial wave pool. The idea began years earlier, when Lost Shore founder Andy Hadden and Napier academic Dr Brendon Ferrier first discussed it back in 2017. The lab focuses on several areas, including surf therapy, high-performance coaching, adaptive surfing, and equipment design.

The lab has already produced real results. Researchers tested nine different wetsuit brands under controlled conditions to find the warmest option for Lost Shore’s customers, and the winning suit was made from Yulex, a plant-based rubber. As a result, Lost Shore now runs the largest plant-based rental wetsuit fleet in the world.

Edinburgh Napier’s interest in surfing predates the resort itself. In 2022, the university completed what is claimed to be the world’s first PhD study in surf therapy, and the Surf Lab builds on that foundation. It gives researchers a fixed base inside Europe’s biggest wave pool, where students, athletes, and industry partners can all use the space. The university hopes the lab will support business growth and community wellbeing, alongside its sporting goals.

It is a fitting partnership. A university built on research and knowledge now extends that work into a converted quarry, and Ratho has become both a surf destination and a genuine site of academic study.

A Sport Still Finding New Shores

From Tahiti to a Yorkshire beach to a quarry near Edinburgh Airport, surfing keeps adapting. Scotland’s relationship with the sport began almost by accident, through royal holidaymakers in the 1890s, and grew through decades of hardy surfers braving freezing reefs in the north. Now, with Lost Shore and the Edinburgh Napier’s Surf Lab, Scotland is not just catching waves. It is helping shape where the sport goes next.

Library Resources

Why not check out the book The Science and Culture of Surfing by David Kennedy, available as an eBook. We also have articles like Surfing and Modernity in the North of Scotland and Surfing in Caithness and Sutherland: Environment, Tourism and Tension. Plus so much more on Librarysearch.napier.ac.uk

Read more articles from the blog on Sport and our Sport resources:

Physiotherapy and Sports & Exercise Science Resources

By Juliet Kinsey

Image credit: Paul Byrne on Unsplash

World Art Day in Scotland

World Art Day in Scotland

Art does more than decorate walls. It influences how we feel. It inspires us and makes us rethink our views on the world. Art is magic, it is politics, it is hope in the darkness. We have made it since the beginning of time, and we continue to create it no matter what happens in our world.

Edinburgh Galleries

To celebrate World Art Day in Scotland, why not visit some of Edinburgh’s incredible galleries?

The Scottish National Gallery sits right in the city centre. It offers calm, light-filled rooms and world-class collections. You can move from European masters to Scottish favourites in one visit. Clear layouts make it easy to explore at your own pace.

Then, the Scottish National Portrait Gallery shifts the focus. Here, art tells stories through people. The building itself feels dramatic, with high ceilings and rich detail. Meanwhile, exhibitions connect past and present through powerful portraits.

Just a short walk away, the City Art Centre offers something different. It focuses on Scottish art across time. Rotating exhibitions mean there is always something new. It feels accessible and welcoming, especially for first-time visitors.

Next, the Scottish National Gallery of Modern Art opens things up. Two separate buildings sit in wide green grounds. Inside, you will find bold, contemporary work. Outside, sculptures invite you to slow down and wander.

Just outside Edinburgh, spaces like Jupiter Artland take art beyond walls. Here, installations live in the landscape. You walk between them. You experience them physically, not just visually.

Together, these galleries offer variety, space, and accessibility. So, whether you want quiet reflection or fresh ideas, Edinburgh has a place for you.

Some important Scottish artists of Edinburgh

Phoebe Anna Traquair

Phoebe Anna Traquair (1852–1936) was a leading figure in Scotland’s Arts and Crafts movement. She was born in Ireland and later settled in Edinburgh, where she created some of the city’s most remarkable artworks. She worked across many forms. These included murals, embroidery, and illuminated manuscripts. Her style drew on medieval art, rich colour, and symbolic detail. Her best-known work can be seen at the Mansfield Traquair Centre in Edinburgh. There, her murals transform the space into an immersive, peaceful environment. Today, she is celebrated as one of Scotland’s most important artists. She also stands out as a pioneering woman in a male-dominated art world.

Eduardo Paolozzi

Probably one of Edinburgh’s most well-known artists. His work is everywhere. Eduardo Paolozzi (1924–2005) was a Scottish artist and sculptor, widely seen as a pioneer of pop art. He was born in Edinburgh to Italian parents and studied at art schools in Edinburgh and London. He became known for bold collages and sculptures that mixed popular culture, technology, and mass media. His early work helped shape the visual language of modern pop art. Later, he created large public sculptures and mosaics, including works for London Underground stations. Today, Paolozzi is recognised as one of Scotland’s most influential modern artists, with a lasting impact on contemporary art.

Sekai Machache

Sekai Machache is a contemporary visual artist based in Scotland. She was born in Zimbabwe and raised in Scotland.

Her work focuses on identity, belonging, and representation. She often uses photography and performance, especially self-portraiture.

Her images challenge how Black women are seen in art. They create space for visibility and self-definition.

Machache has exhibited across Scotland, including in Edinburgh. Today, she is part of a new generation of artists shaping a more diverse Scottish art scene.

Continue reading

World Theatre Day

World Theatre Day

Established by the International Theatre Institute (ITI) in 1962, World Theatre Day is a global celebration of the power of theatre in bringing people together.

Held in a different country every year, the ITI work with the major theatre association of the host country to stage a festival celebrating the traditional national theatre practices of the host country. This year’s celebrations will be held in Luxembourg from the 25th to the 27th of March, in collaboration with the Theatre Federatioun.

The ITI

As well as moving the celebrations between different countries, the ITI works with a different theatre professional every year to release a short recorded message wherein the professional gives their thoughts on the role theatre can play in society. Past spokespersons have included major figures from the theatre world such as actors Dame Judi Dench and Lawrence Olivier, and playwrights Arthur Miller and Jean Coctaeu.

This year’s message was delivered by renowned actor Willem Dafoe, who many of you might know from his work in the Spider-Man films, or his recent work in films such as Nosferatu and Poor Things.  In this year’s message, Dafoe spoke about his belief in the power of theatre to be more than just a vehicle for entertainment, but believes that it can allow us to interrogate ideas about modern society. As he puts it, he believes in :

“Theatre as a total art form can make us see what was, what is, and what our world could be.”

You can watch Dafoe’s short message for yourself on the official ITI YouTube page.

Edinburgh and Theatre

Edinburgh has a long relationship with the theatre, most famously with the Edinburgh Fringe, the world’s largest performing arts festival. Held across the city every August since the 1940s.
However, live theatre is a year-round activity in Edinburgh, so let’s have a quick look at some of the theatres here in Edinburgh.

The Royal Lyceum Theatre

Let’s start with the Royal Lyceum Theatre on Grindlay Street, the oldest active theatre house in the city. The Lyceum was opened in 1883 and has seen only light refurbishment in the 143 years since, meaning that going inside really does feel like stepping back in time. Indeed, the Lyceum is so old that it’s even rumoured to be haunted by the ghosts of past performers throughout its history.

The Lyceum is perhaps most known for hosting productions of various theatrical dramas, as well as staging some of the first Scottish productions of many renowned operas such as Madam Butterfly. To this day, you can see a huge variety of productions at the Lyceum, from Scottish classics such as The Prime of Miss Jean Brodie, new productions such as an adaption of 1984 that will run this autumn, as well as stand-up comedy acts (I’m personally very excited to see Glasgow comedian Christopher Macarthur-Boyd perform his show Howling at the Moon at the Lyceum this November)
Along with this, the Lyceum also host a youth theatre for young people under the age of 25 who are interested in getting involved with the theatre.

Festival Theatre

Another grand old theatre of Edinburgh is the Festival Theatre, famous for hosting large-scale dance and musical theatre acts. Like the Lyceum, the Festival Theatre dates back to the Victorian era, although it’s seen much renovation over the years, especially following a catastrophic fire in 1911, which resulted in several deaths of cast and crew members.  Originally built as an opera and ballet house, the Festival Theatre has changed over time to meet the changing tastes of audiences and the emergence of new forms of popular entertainment. Today, in addition to ballet and opera, you can also see productions of musical theatre, one-person shows, and musical tribute acts.

However, if you’re interested in more off-beat theatre in Edinburgh, you can check out the Bedlam Theatre, a student run theatre based out of an old church in the Old Town. The Bedlam host a variety of shows throughout the year, performed by students at Edinburgh University, with many shows even being original productions put on by the students themselves. The Bedlam can be a great venue if you want to see something unexpected and support student-run art.

Get Involved

If you’re curious about getting involved in live theatre yourself, then student-led theatre companies like the one at the Bedlam can be a great way for you to take your first steps in the theatre world. If you’re a student at Napier, then you should see about joining one of the performing arts societies we have here at the university, such as the Edinburgh Napier Drama Society or the Musical Theatre Society.

As Willem Dafoe talked about in his message this year, theatre can be a great way for us to make sense of the world around us, and it’s never too late to get involved.

By Matthew Ferrie

Read more on The Edinburgh Festival here.

 

World Poetry Day 2026

World Poetry Day 2026

World Poetry Day takes place annually on the 21st of March and was first established and adopted by UNESCO (United Nations Educational, Scientific and Cultural Organisation) in the year 1999. This was finalised during the 30th General Conference, which they held in Paris during that year, with the fundamental goal being to promote and bring about a fresh awareness, appreciation for and love of poetry and poetic works globally. It also promotes linguistic diversity fostered in many different forms of poetry, which helps to bring together various cultures and traditions. Poetry takes a range of different forms, some of which include:

  • Sonnets: Poems consisting of 14 lines of text with a set rhyme scheme in place.
  • Free Verse: Poetry without a specific or strict rhyme scheme, allowing the poet more freedom in terms of poetic rhythm and expression.
  • Ballad: A narrative piece of work which is often musical and highly expressive. This type of poetry is usually made up of four-line stanzas.
  • Villanelle: This type of poem usually consists of 19 lines of text with a very particular, repetitive refrain.

The History of Poetry

Poetry as a form of literature, art and expression goes back as far as the prehistoric age, with some of the earliest poetry being thought to have emerged from the “Epic of Gilgamesh” which dates back as far as 2000 BC and consists of five individual Sumerian poems dedicated to the King of Urk (c. 2100 BC) as well as focusing on themes such as friendship and mortality. In fact, poetry is very likely to have existed well before this historical era. Poetry from both this prehistoric age up until the present day has also addressed similar themes as well as many others, such as love, passion, ambition, hope, wonder and family, to give a few examples. Poetry also often addresses, expresses and explores more negative themes such as grief, loss, sadness, disappointment and anger (to give a few examples here too)! Many different forms and varieties of poetry and poetic works exist as well, such as sonnets and rap lyrics, but the primary objective of poetic literature is often the same, and that is to explore human emotions, experiences, as well as invoke similar emotions through words and expression.

How to celebrate World Poetry Day

If you are a poetry lover or curious about the world of poetic literature, there are several ways in which you can engage with and celebrate this national day…

  • Write a poem of your own: Why not give it a go! Use this international day as an opportunity and let it inspire you to write your very own poem and share it with others if you wish to.
  • Support poets by sharing and purchasing their work: Take this opportunity to share a favourite poem (or set of poems if you feel you can’t just pick one!) with family and friends, as well as on social media platforms to promote and encourage engagement with the works of various poets, and poetry in general. Purchasing poetic works and even donating to poetry organisations is also a great way of supporting poets and poetry communities.
  • Open-mic nights, poetry events and readings: Attend local events and readings nearby – whether you are just going to listen to others share their work and even read out some of your own!
  • Visit the Poetry Library in Edinburgh: Located on Crichton’s Road, the Scottish Poetry Library in Edinburgh is a central hub and national resource hosting a range of poetic works as well as promoting poetry as an art form. Their current opening hours are 10am-3pm Monday to Thursday, and they host a range of poetic works and books from all over the globe, with a specific focus on their Scottish collection. There are many ways to support the Scottish Poetry Library: you can become a donor, friend of the library or register as a borrower, which is free of charge!

Recommendations

You can find a range of poems and poetic works in our LibrarySearch catalogue. We also have an institutional subscription to the Literature Online database, where you can find and access a huge variety of full-text poetry, prose and plays.

Photo credit goes to Ghinzo at Pixabay

By Rachel Downie

Read more on Poetry on our blog with this article on Robert Burns

International Bagpipe Day

International Bagpipe Day

What comes to mind when you think of Scotland? Whisky? Tartan? Or perhaps it’s bagpipes with their unique sound and playing method. This instrument is synonymous with Scotland’s culture and identity. It is known for rousing tunes at events and parades and haunting laments at funerals and memorials. Although we tend to think of bagpipes as a Scottish instrument, there are actually many variants to be found across the world.

Composition

Bagpipes today exist in many forms throughout the world, but the ones we see here in Scotland consist of the following:

Mouthpiece – This attaches to the bag and sits on the top of it to allow access for the player.

Bag – All other parts of the instrument are attached to the bag. Traditionally, the bag was made of cowhide or sheepskin, but is now often made of synthetic materials.

Drones – Scottish bagpipes have three drones, which determine the pitch of the instrument. They have small holes at the tips to allow the air to escape. By applying pressure to different areas of the bag, players can control the airflow and produce varying sounds.

Chanter – This section of the bagpipes produces the melody. It protrudes from the bag, pointing downwards. The player can use both hands up and down the chanter to produce different notes.

Playing method

Bagpipes are a musical woodwind instrument with reed pipes and an air bag. The player inflates the bag by blowing into a blowpipe. They then squeeze the bag under their arm, emitting air into the pipes to play them. The drone pipes make a continuous droning sound, while the higher-pitched chanter pipe produces the melody. This creates a unique sound that is instantly recognisable.

Origin and history

Prior to the 13th century the origins of the instrument are uncertain, but a Hittite slab sculpture provides visual evidence that bagpipes may have been around at least 1000 years BC. It is thought that they may have originated in Egypt or the Middle East. Starting out with just one drone and a chanter. From there, they appear to have spread through Europe. The Greeks and Romans had the earliest written references. In the 13th century, references to bagpipes appear in Europe. The earliest reference in a British text seems to be in the Canterbury Tales, written around 1380.

Medieval religious carvings and sculptures depict pipers. In 1314 bagpipes were played at the Battle of Bannockburn, but in a different form from today’s pipes. Until the 1500s, a single drone was used, with a second one being added, then a third. Giving us the pipes as we know them today, from the 1700s onwards. Highland clan chiefs employed pipers to motivate their troops in battles. But after the 1745 Jacobite rising, bagpipe playing was banned in Scotland as they were seen as an instrument of war. Played in secret until the ban was lifted, bagpipes were again to find a place in warfare. Highland regiments formed after 1745 revived the tradition of pipers playing their comrades into battle in the early 19th century, and this continued throughout World War One, when they led troops “over the top” out of the trenches onto the battlefield. The death rate amongst pipers was extremely high: it is estimated that around 1000 pipers died in World War I. Pipe bands featuring drummers as well as pipers are still important in the military today, taking part in all types of parades for events and royal visits. Military pipe bands also feature in the Royal Edinburgh Military Tattoo, which has taken place at Edinburgh Castle esplanade since 1950. Bands from all over the world entertain sell-out crowds during August. Over the years, the show has been enhanced with projections and visual effects, making a truly spectacular presentation.

World Pipe Band Championships

Running since 1947, the World Pipe Band Championships is currently held on Glasgow Green with pipe bands from across the world competing for the coveted Grade One title. Any pipe band can enter and take part in the qualifying rounds to make it to the final and win the competition. Until 1987, the title was won by Scottish pipe bands, but since then, bands from Canada, Ireland and Australia have scooped the title.

Events

Today, some events wouldn’t be the same without a piper or pipe band. Highland games have bands playing between events, and a single piper will play at the highland dancing competition so that the dancers have music to perform to.

At weddings in Scotland, there will often be a piper at the entrance to a church or venue providing music while guests arrive for the ceremony. They will also play as the bridal party emerges from the ceremony and pipe the bride and groom into the wedding reception. Pipers are also called upon to play at funerals, playing laments such as Sleep Dearie, Sleep, which was played at the funeral of Queen Elizabeth II. A lone piper concluded the queen’s funeral, playing a lament and walking into the distance through the chapel, creating a very poignant scene. Pipers also often feature in Remembrance Day parades and wreath-laying ceremonies on 11th November each year.

Another event where you are likely to see a piper is Burns suppers celebrating the birth of poet Robert Burns. Taking place on 25th January, there are readings of Burns’s poetry and a meal of haggis, potatoes and turnip. The haggis is brought out on a platter and is piped into the room.

Now, many towns in Scotland have pipe bands which turn out for local parades and events such as gala days, when there are parades along the main street of the town, which will often be led by the town pipe band with floats and children in fancy dress following behind.

Modern music

Bagpipes are usually associated with traditional music, but they have featured in modern music too. Bagpipes feature in Mull of Kintyre by Paul McCartney and Wings, Stingin Belle by Biffy Clyro and It’s a Long Way to the Top by AC/DC.

Taking a very modern twist on the bagpipes are the Red Hot Chilli Pipers, who play rock and pop songs along with traditional Scottish tunes.

If you would like to find out more about bagpipes or traditional Scottish music, you can use Library Search help you do so.

 

 

Women’s History Month 2026: Leading the Change Toward Sustainability

Women’s History Month 2026: Leading the Change Toward Sustainability

March is Women’s History Month. Every year, we take time to celebrate the contributions of women. We also learn from their leadership, reflect on progress and the challenges still before us. This year’s official theme is “Leading the Change: Women Shaping a Sustainable Future.”

Women Shaping a Sustainable Future

Sustainability means more than saving energy or planting trees. It reaches into economics, social justice, climate adaptation, technology, and culture. The National Women’s History Alliance chose this year’s theme — Leading the Change: Women Shaping a Sustainable Future — to highlight women whose work makes systems stronger, smarter, and fairer. Their leadership shows that people and the planet can thrive together.

Environmental Innovation and Renewable Energy

Women across the world are inventing new clean energy solutions that power homes and protect ecosystems. Inna Braverman, a co-founder of Eco Wave Power, built technology that generates electricity from ocean waves, expanding renewable energy options beyond wind and solar. Her company has installed grid-connected projects in ports and coastal regions.

Reyhan Jamalova started Rainergy while still a student. Her system harnesses rainwater to generate electricity for communities with limited power access, offering an affordable, low-emission alternative to traditional grids.

Work like this showcases how women take leadership far beyond advocacy — they create tangible technology that delivers sustainable power and expands energy access.

Engineering Resilience and Sustainable Infrastructure

Engineering for climate resilience means designing systems that withstand floods, heat, and storms. Women in fields from architecture to civil engineering are redefining resilient infrastructure.

The Society of Women Engineers highlights projects like Living Breakwaters in New York, which reinforce shorelines against storm damage while rebuilding ecosystems and community space.

Architect and sustainability consultant Chinwe Ohajuruka uses bio-climatic design and solar housing in Nigeria to build affordable homes adapted to local climates, making communities safer and more energy-efficient.

Landscape architect Kotchakorn Voraakhom integrates nature into cities so they handle climate risks more effectively. Her projects in Bangkok capture and reuse stormwater, reduce heat, and add public food-producing spaces, turning flood-vulnerable areas into productive urban ecology.

These real examples show how resilience is both a technical challenge and a creative one — requiring people who think beyond concrete into ecosystems and communities.

Economic Sustainability and Business Leadership

Sustainability also connects to business transformation and economic justice. Across industries, women executives drive corporate decisions that shift investment toward climate-friendly solutions.

One sustainability leader in finance, Marisa Drew, directs strategies that support renewable infrastructure investment and reduce emissions through large-scale financing commitments. This work brings needed capital to innovations around the world that fight climate change.

Female entrepreneurs like Susan Blanchet, whose company Origen Air creates plant-based rooftop systems to clean indoor air, show how sustainable products can reshape our built environment and reduce health risks from pollution.

These efforts prove that sustainability is not only technical but economic — building markets that reward environmental responsibility and enhance community wellbeing.

Education, Advocacy, and Inclusive Policy

Educators and advocates play a crucial role in preparing the next generation. Women climate scientists and climate policy experts educate global audiences and influence leaders to adopt equitable sustainability policies. A thought leader in sustainable development has helped bring systems-level climate thinking into mainstream conversations through books and global forums.

Advocates for equity ensure that climate policies include voices from historically underrepresented communities. Their work makes sustainability inclusive, emphasising that long-term environmental goals must align with social justice.

Health, Community, and Cultural Change

Social sustainability — including health, equity, and community resilience — receives increased attention thanks to women leaders pushing for better systems. Initiatives in public health and community organisation help ensure that climate impacts and economic shifts don’t disproportionately burden vulnerable groups.

Cultural influence amplifies sustainability goals. Artists, writers, and filmmakers use narrative to expand awareness about climate justice. These cultural tools help shape public values and encourage broader public participation in sustainability efforts.

Women of Edinburgh Napier University

Dr Emily Alder: Academic associated with the Centre for Conservation and Restoration Science; interests include education for sustainable development and environmental humanities (e.g., coasts/seas).

Dr Gráinne Barkess: Local lead for the Scotland Beyond Net Zero hub at Edinburgh Napier University and Head of Research Environment and Services, with involvement in net-zero/ sustainability research coordination.

Sophie Gerrard: Lecturer and documentary photographer focusing on environmental and social themes (environment-linked research and teaching).

Dr Carolina Costa Pereira: Her research interests lie in renewable energy, energy conversion systems, heat transfer problems and latent heat thermal energy storage for different applications.

Sustainability Beyond March

Women’s History Month offers a moment to recognise leadership, but the work continues year-round. Partnerships between sectors such as engineering, business, education, government, and community groups are essential.

Sustainable systems succeed when multiple voices shape how they evolve. Inclusion ensures that solutions are effective and just. Young innovators and seasoned leaders from all intersectionalities can collaborate, exchange knowledge, and scale impact together.

Toward a Balanced Future

Women leading sustainable change demonstrate that systems innovation and human wellbeing can coexist. Their achievements, whether through renewable energy technology, resilient design, economic leadership, or social advocacy, reflect a holistic approach to sustainability.

History and the present moment both show that sustainability isn’t a solo effort; it’s a collective challenge that requires creativity, courage, and collaboration. Women’s contributions, in every sector, strengthen our ability to face climate, social, and economic challenges with resilience and vision.

Women’s History Month 2026 invites everyone to participate in this work. Not just to celebrate progress, but to accelerate it.

By Juliet Kinsey

Read previous articles on Scottish women in Science here.

Scottish New Year Traditions

Scottish New Year Traditions

An old Scottish New Year tradition was First Footing – all you had to do was grab a lump of coal and a bottle of whisky and visit your neighbour to “see in” the New Year. This tradition is thought to date back to the Viking times and is quite quaint and sedate, but in modern times some of our New Year traditions have become a little bit crazy…..

Stonehaven Fireballs

This spectacular display takes place in the town of Stonehaven in Aberdeenshire. Roughly 40 people take part and at the stroke of midnight, the fireballs are lit and are whirled around by those brave enough to take part in the procession along the High Street. The balls are made from wood and fabric soaked in paraffin and then enclosed in wire mesh. The procession takes around half an hour and the balls are hurled into the sea at the end. The origins of the tradition are unclear, but it has now become a popular tourist attraction. If you can’t attend the procession, there has been a webcam allowing remote viewing in the past which will hopefully be running again this year and the link is here. You can check out previous processions online by clicking here.

The Ba’, Kirkwall, Orkney

The game begins at 1pm on New Year’s Day when the Ba’ is thrown up from the Mercat Cross outside St. Magnus Cathedral. Two teams, Uppies and Doonies try to get the Ba’- a leather ball filled with cork handmade by local craftsmen- to their respective home goals. For Uppies it’s at the far end of the main street opposite the catholic church, and for Doonies it’s Kirkwall Harbour. If the Ba’ “gaas doon” then the players are expected to jump into the harbour. It’s a contest of scrums, pushing, shoving, fast sprints and sneaky smuggles. Where your allegiance lies used to depend on where you were born with Uppies being born south of the cathedral and Doonies born north of it. Now with many women being sent to Aberdeen to give birth, most men play on the side their father or grandfather played on. The game mostly takes place on the town’s main streets with businesses and homes boarding up their properties to prevent damage.

Rules of The Game

There are no rules, and a game can last for many hours with little movement of the scrum. Only when a team member manages to get the Ba’ to the outer players can a fast break or smuggle (up a player’s jumper) take place. It is then chaotic with those in possession of the Ba’ trying to get as close as possible to their goal whilst throwing the opposition off the trail by using the winding lanes in Kirkwall’s streets.

Once the winning team has reached their goal, the Ba’ is presented to a member of the team-usually someone who has participated for many years. It’s a lot easier to watch than take part in-click here to watch the Ba’ from a previous year.

The Loony Dook, South Queensferry

Held on New Year’s Day, The Loony Dook is a charity event requiring the participants to dip into the freezing cold waters of the Firth of Forth. The name comes from two Scots words, loony (a crazy person) and dook (to bathe or take a dip).

The first Loony Dook took place in 1986 when some friends suggested it would be a good hangover cure. The following year it became a charity event with proceeds going to local charities such as RNLI Queensferry. Over the years the event grew to include a fancy dress parade and became so large it had to become an organized event. Each year thousands of onlookers come to watch participants who are greeted by pipers and offered hot porridge before taking the plunge.

The event has caught on in other Scottish seaside towns along the Firth such as North Berwick, Kirkcaldy and St. Andrews so if you can’t make it to South Queensferry, then you may be able to catch the action at a different venue. If you prefer to stay warm and dry at New Year then click here to view a previous Loony Dook from the comfort of your home!

By Vivienne Hamilton

Find amazing resources on Scotland in LibrarySearch.napier.ac.uk

Read more about Scottish Traditions with this post on Burns Night.

A.I. Library Tools: What do you think?

A.I. Library Tools: What do you think?

Library Futures: Academic staff input on Library AI Tools

We are seeking your feedback to help shape future decision-making around the use of artificial intelligence (AI) in literature searching at Edinburgh Napier University. Some Library subscription databases are beginning to integrate AI tools, and this development raises important questions for learning, teaching, and research.

These AI tools offer potential advantages around saving time and improving discovery, along with disadvantages including a lack of transparency, bias, reliance on unreliable secondary summaries, and environmental impact.

We would like to consult with academic staff to learn:

  • Do AI-assisted searches or summaries offer advantages for your subject area or your students?
  • How do you evaluate the issues for your subject area or your students?

We’ll ask you to briefly trial one example Library search tool and give your feedback.

We’ll also ask your wider opinions on the value of different types of AI literature search tools in your learning, teaching and research.

This will allow the University to make informed decisions going forward.

Note: Not all tool additions and changes in Library subscription databases are optional, meaning control is limited. We will aim to map tools and provide education and awareness raising for the academic community.

Please complete the survey below.
It should take under 15 minutes, and all answers are anonymous.

Complete the survey

Join the mailing list
If you would like to be involved in further consultation or receive updates about Library tools and AI, please leave your email address in the form below.
Register now

Find out more

Find out more about artificial intelligence and literature searching on our LibGuide, Artificial Intelligence (AI) and Literature Searching.

Photo courtesy of Gratisography

Bonfire Night and The Gunpowder Plot

Bonfire Night and The Gunpowder Plot

In 2018, UK consumers spent £316 million on Bonfire Night, also known as Fireworks Night or Guy Fawkes Night, according to market research company Mintel. Most of that money went up in smoke, spent on fireworks and bonfires. Fireworks displays remained the most popular way to celebrate, with 38% of the population attending an event.

The Gunpowder Plot

Bonfire Night traces back to a 17th-century religious and political plot. In 1605, English Catholics, led by Robert Catesby, planned to blow up King James and his government during Parliament’s State Opening on November 6. They aimed to install a Catholic head of state to end Catholic persecution, following years of religious strife with the Roman Church.

Guy Fawkes

Guy Fawkes, a minor conspirator, gained fame due to his role in guarding the explosives. After an anonymous tip-off, authorities searched the Palace of Westminster’s cellars and found him with 36 barrels of gunpowder. This discovery led to today’s ceremonial “search” of Parliament before each State Opening, carried out by the Yeoman of the Guard, who are rewarded with port.

The plot began in a pub, the Duck and Drake. Fawkes, a mercenary, was hired to ignite the gunpowder. The conspirators rented a cellar beneath the House of Lords and filled it with explosives, delaying their plan twice. Eventually, authorities discovered the plot, and Catesby was killed resisting arrest. Others were tortured, tried, and sentenced to be hung, drawn, and quartered. Fawkes escaped the full punishment by breaking his neck on his way to the scaffold.

Following news of the plot’s failure, Londoners celebrated spontaneously, lighting bonfires. A later Act of Parliament mandated annual commemorations with church services of thanksgiving, though it was repealed in 1859.

This ‘search’ continues today before every State Opening of Parliament, albeit ceremonially, with the searchers, the Yeoman of the Guard, rewarded with a glass of port.  

Continue reading

Ghost Stories: A spooky tale of haunted Campuses

Ghost Stories: A spooky tale of haunted Campuses

Creepy Campuses

Craiglockhart:

Many old buildings have ghost stories associated with them and Edinburgh Napier campuses are no exception. Of course, no one can prove if the sightings are genuine, but here are a few of the stories we have heard from staff….

From 1920 until 1986 Craiglockhart campus used to be a training college for Catholic teachers run by nuns. There have been many reports of a nun being seen around the old part of the campus and in the library which used to be a swimming pool. Apparently, she has been seen walking through a wall near the Rivers Suite and a joiner saw her on one of the upper floors. Many staff members claim to have had a feeling that someone is behind them when they are walking around the old building.

Cleaners say that taps in the toilets along from the library mysteriously switch themselves on and one of them has often spotted an old woman walking along the corridor towards the Hydra café early in the mornings before the campus is open for general access.

One morning library staff came in to find a bookshelf that had been hammered into place had been tipped up at one end and the books were in a heap on the floor. On another occasion, an interior glass panel was completely smashed when staff arrived for work. The panel had been intact when security had closed the campus the previous evening. When shelving books one evening a member of staff heard a thud behind them. A large book that had been lying flat on a shelf and not overhanging had mysteriously landed on the floor.

Craighouse

Our former campus at Craighouse is now a housing development, but it used to be the home of Edinburgh Napier from 1996 to 2011. It was built as a private residence around 1565. In the 1880s it was described as “a weird-looking mansion, alleged to be ghost-haunted” in Cassell’s Old and New Edinburgh. It was a psychiatric hospital from then until the early 1990s when it was sold to Edinburgh Napier. Some of the staff who used to work there claim to have smelled cigar smoke although smoking was prohibited in the building. There were also reports of a piano being played and a baby crying in an attic room. Cleaning staff caught a glimpse of a man wearing a long leather coat with slicked back long hair in the toilets. Furthermore, there were also rumours of underground tunnels leading from secret entrances.

Sighthill

Not to be outdone by Craiglockhart, Sighthill briefly had its own ghost in 2018

Click on the following link to view the full video:

https://twitter.com/i/status/1057546465587924992

We wish you all a Happy Halloween and hope we haven’t spooked you!

Have any ghost stories of your own? Share them in the comments or tag us through social media with Twitter: @ednaplib or Instagram @ENULibrary

By Vivienne Hamilton

« Older posts

© 2026 The Library Blog

Theme by Anders NorénUp ↑