Month: August 2017

Reading for Pleasure

There will be plenty on this blog about the research that the department is doing – understandably!  But I wanted to share with you a few things that I read (mostly) for pleasure over the summer while on holiday.  For me, it’s important to read widely, and not only in the area that I research.  Reading outside the area you’re most interested in can make you rethink productively things you already (think you) know.  Admittedly, I found reading for pleasure much harder when I was a student (both an undergrad and a research student), but remembering why you enjoy reading can also make studying easier, too.

Having scanned my non-work bookshelves at the beginning of the year, I’ve been reading lots of contemporary women writers in an effort to address an unconscious bias.  Two that I particularly enjoyed were by Irish authors.

Anne Enright’s The Gathering, which won the 2007 Man Booker Prize, deals with the tragically early loss of a sibling.  The narrator, Veronica, endeavours to make sense of Liam’s suicide by engaging with the complex, troubled and troubling history of her family.  Enright movingly depicts the peculiar closenesses and distances that characterise family life, those feelings as true in the same room as when living hundreds or thousands of miles apart.  I particularly enjoyed – if that’s the right word for this moving, tragic novel – the gradual unfolding of the family’s secrets, and the subtle but accessible style.

Lisa McInerney’s The Glorious Heresies, which won both the Baileys Women’s Prize for Fiction and the Desmond Elliott Prize in 2016, is an altogether different kettle of fish.  Ryan Cusack is endeavouring to deal with the impact of his mother’s death, and his alcoholic father’s role as a low-level gangland pawn.  None of this is made any easier by an over-attentive older neighbour, a prostitute searching for her disappeared boyfriend, and his own sometime career as a drug dealer.  And none of that is helping his treasured relationship with his girlfriend Karine.  McInerney’s prose is earthily authentic, pulling no punches, and the brisk pace of the novel makes it a good read.

Finally, on a more work-y note, I really enjoyed Richard Burton’s long biography of the late modernist poet Basil Bunting – all 608 engaging pages of it.  Bunting led a remarkable life: a conscientious objector as he turned 18 at the end of the First World War, dissolute in Paris in the mid-1920s, a longstanding friend of Ezra Pound, a senior military diplomat in the middle east in the Second World War, and finally (re)discovered as a poet in the 1960s (and his sixties) thanks to the publication of his masterpiece Briggflatts (1965) and the patronage of the poets of the British Poetry Revival.

These were just the highlights.  I hope you’ve managed to make some time to read for pleasure yourselves, too.

Andrew Frayn

International Gothic Association conference, Mexico

In July I had the privilege of attending the International Gothic Association’s biennial conference at Universidad de las Américas Puebla (UDLAP), in Cholula, Mexico, a place complete with its own be-tunneled Aztec pyramid and live volcano Popocatépetl which liked to greet us in the mornings with puffs of steam. I have been a member of this Association for ten years and this was my fifth conference. It’s always a pleasure to see old friends and familiar faces as well as getting to know the many fascinating new people I inevitably meet at events like this.

Mexico was a particularly exciting place to hold the IGA conference and many people at home asked me why I was going to such a sunny country for a Gothic gathering. Fortunately, it’s not an essential requirement to wear black, and personally I wasn’t aware of anyone actually crumbling to dust in the sunshine.

Gothic piñatas

Gothic piñatas

Bringing the IGA conference to Mexico was a long-standing ambition of organiser Dr Enrique Ajuria Ibarra, and continued the Association’s recent efforts (2015 was in Vancouver) to tug the conference out of its European nest and help to make it truly international. The conference theme was ‘Traditions and Departures’, signalling the ways that European Gothic traditions do travel, but do not always colonise: they often meet other cultural traditions coming the other way, or may themselves become profoundly transformed. As IGA president Dr Catherine Spooner reminded us at the opening ceremony, the Gothic likes to challenge boundaries and we are a scholarly community more interested in building bridges than walls.

To give a flavour of how distinctive the Gothic in Mexico can be, conference day two ended with a screening of new short film, Los misterios de las monjas vampiras (The mysteries of the vampire nuns) directed by Antonio Álvarez Morán, who attended dressed as a vampire. Shot locally, the film begins with Aztec sacrifice, ends in wrestling, and in between is a panoply of Mexican Gothic excess, and is killingly funny (see the trailer on YouTube). In the Q&A afterwards, the lead actress was asked if she’d found anything challenging about playing her role, and won all our hearts when she replied that she had not, because ‘inside every woman is a little bit of nun and a little bit of vampire.’

It wasn’t all like that, though, and the conference programme proves that we did also get down to some serious analytical work on everything from werewolves to whales, linen to Lolita, and Scotland to steampunk.

Professor Isabella van Elferen delivers her keynote presentation

Professor Isabella van Elferen delivers her keynote presentation

It is exceedingly difficult to make a conference presentation look exciting. While looking at this photograph of Professor Isabella van Elferen’s keynote on Gothic music, you will need to imagine that she is, in fact, playing this track VERY LOUDLY throughout the auditorium and asking us to pinpoint what, exactly, makes it Gothic. Can you?

For more, including pictures, see #IGAMexico2017 on Twitter.

Emily Alder