Welcome to “PhD Stories”, a section where our PhD candidates tell you more about their research, and what they aim to achieve and discover.
Today, we have Judith Spaargaren, who started her PhD in 2023, and whose title is “The Role of Prison Museums in Public Culture: The Case of Peterhead Prison Museum”, with supervisors Dr. Craig Wight, Prof. Anne Schwan, and Dr. Renata Osowska.
If you would like to know more about Judith’s research or if you have any questions, you can contact Judith here: judith.spaargaren@napier.ac.uk.
If you’re interested in undertaking a PhD with us, please email the Tourism Research Centre Lead, Prof. Anna Leask – a.leask@napier.ac.uk
When planning your holidays, have you ever thought of putting a prison visit on your itinerary? More people than you think would answer yes. It might not be everyone’s cup of tea, but prison tourism has become increasingly popular over the past few decades. In Peterhead, Aberdeenshire, the Peterhead Prison Museum has become one such popular visitor attraction.
When HMP Peterhead closed down in 2013, a community effort allowed for the building to reopen as a museum in 2016, which has since become a major tourist draw to the area. The museum aims to tell the stories of the prison’s 125 year long operation, and show visitors “what real prison life was like”. Unlike visiting an active prison, where the visit is rarely for leisure, prison museums allow for visitors to explore what the prison system is like with their freedom kept intact. But how do you do that?
My academic background lies in heritage studies, and I have a particular interest in how the stories we do and do not tell about our past affect our present and future. My PhD research focuses on the opportunities and challenges that prisons museum face in telling their stories. Prisons, in particular, are places of difficult and sometimes painful histories. This means there are opportunities to educate and inform visitors about prison life and the justice system, but also challenges we must face: which stories do we tell, and how? How can we allow for everyone’s voice to be heard, even when some of those voices belong to those we morally disagree with? What do visitors want to hear, and should that matter? Where do we draw the line between prison museum exhibit and gratuitous tableau of human suffering?
I am not the first person to ask questions like these, but there is a real lack of a Scottish perspective in this discussion, which I hope to contribute through my research. I am privileged to be carrying out this research in direct partnership with the Peterhead Prison Museum. In working directly with the museum, I hope to not only identify what visitors want, but also what the community of Peterhead might need from a prison museum as a visitor attraction. The story of the prison is tied directly to the story of Peterhead itself, and acknowledging this connection is not only important to the museum, but also to my research, which would be incomplete if it left out the town of Peterhead and its community.
This will not be an easy task, as I spent my first year of PhD research discovering. I’ve spent most of my time compiling and creating a framework of academic concerns about, and solutions to, issues that prison museums face. Next year, I’ll be heading up to Peterhead to gather specific visitor and Scottish perspectives to add to this framework. At the end of this PhD, I hope to develop a set of strategies to tell the stories of Peterhead Prison to as many visitors as possible.