{"id":149,"date":"2025-06-02T09:00:07","date_gmt":"2025-06-02T08:00:07","guid":{"rendered":"https:\/\/blogs.napier.ac.uk\/sounddesign\/?p=149"},"modified":"2025-02-13T21:32:26","modified_gmt":"2025-02-13T21:32:26","slug":"sound-advice-john-rodda-production-mixing","status":"publish","type":"post","link":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/","title":{"rendered":"Sound Advice: John Rodda\u2019s Insights into Production Mixing"},"content":{"rendered":"

John Rodda\u2019s online guest lecture offered an engaging and in-depth exploration of the world of production sound mixing, drawing from his extensive experience across film and television. With a career spanning 35 years and work in over 40 countries, John has established himself as a leading figure in the industry, contributing to productions ranging from documentaries and dramas to major feature films. His lecture provided a rare glimpse into the craft, techniques, and challenges of capturing high-quality audio on set.<\/p>\n

\"John<\/a><\/p>\n

A Journey Through Sound<\/h3>\n

John began by sharing his journey into sound mixing, highlighting how his background in theatre and electronics laid the foundation for his work in film and television. His early experiences included building computers in the late 1970s and working on corporate films and news coverage before transitioning into drama and feature films. He detailed how he navigated the industry at a time when union regulations created significant barriers for newcomers, requiring perseverance and adaptability to succeed.<\/p>\n

Key Roles in Production Sound<\/h3>\n

John emphasised the collaborative nature of sound production, highlighting the distinct but interdependent roles within the department:<\/p>\n

    \n
  • Production Sound Mixer<\/strong>: Oversees all aspects of sound recording on set, ensuring high-quality dialogue capture. They operate the primary recording equipment, balance microphone levels, and collaborate with the director to maintain the intended audio aesthetic. Additionally, they liaise with post-production teams by providing properly labelled sound files and detailed reports.<\/li>\n
  • Boom Operator<\/strong>: Responsible for positioning the boom microphone to capture dialogue while staying out of the frame. They must anticipate actor movements, adjust positioning accordingly, and minimise unwanted noise. Boom operators often work in challenging conditions, ensuring optimal sound capture in dynamic filming environments.<\/li>\n
  • Sound Assistant<\/strong>: Supports both the mixer and boom operator by setting up equipment, managing cables, placing wireless microphones on actors, and troubleshooting technical issues. They also help maintain sound logs and ensure the smooth operation of the sound department throughout filming.<\/li>\n<\/ul>\n

    Each of these roles contributes to delivering clear, high-quality audio, ultimately enhancing the storytelling experience.<\/p>\n

    Adapting to Industry Changes<\/h3>\n

    John reflected on the evolution of sound recording technology, from mono Nagra tape recorders to sophisticated multi-track digital systems. He discussed how advancements such as wireless microphones and timecode synchronisation have improved sound recording flexibility while accommodating modern filmmaking techniques, including multi-camera setups and wide-and-tight shot combinations. Current industry hardware has significantly improved efficiency and reliability, with modern digital recorders offering multi-track recording, high-resolution audio, integrated timecode systems, and advanced metadata management, enabling seamless file transfers to post-production. Wireless microphone systems now feature extended range, improved RF stability, and digital encryption, enhancing dialogue capture even in challenging environments. Additionally, timecode synchronisation tools ensure frame-accurate alignment between cameras and audio recorders, streamlining workflows and making location sound recording more adaptable for complex setups.<\/p>\n

    Challenges and Solutions in Sound Mixing<\/h3>\n

    John provided practical examples of overcoming sound challenges on set. While working on Downton Abbey<\/em>, he had to radio mic every actor to meet the director\u2019s preference for unrestricted camera movement. The historical costumes posed additional difficulties in concealing microphones without compromising sound quality. To mitigate these issues, he collaborated with the wardrobe team and developed discreet mic placements that preserved clarity while remaining hidden.<\/p>\n

    Another notable example involved a dinner scene, where the clinking of silverware risked overpowering dialogue. John strategically positioned boom microphones and used lavalier mics hidden within costumes to isolate voices while maintaining natural ambiance.<\/p>\n

    Similarly, while working on Shackleton<\/em>, extreme cold conditions threatened equipment functionality. He employed insulated batteries and performed regular system checks to ensure uninterrupted recording.<\/p>\n

    For Airport<\/em>, John devised a wireless timecode system that allowed independent sound recording, enabling him to position himself optimally while the camera moved freely in a busy airport setting.<\/p>\n

    Memorable Projects and Industry Recognition<\/h3>\n

    John shared stories from notable projects, including The Fifth Estate<\/em>, Longitude<\/em>, and Shackleton<\/em>. Longitude<\/em>, a historical drama, posed unique challenges in capturing the sound of intricate mechanical clockwork, which was integral to the story. In The Fifth Estate<\/em>, which dealt with the WikiLeaks controversy, he had to navigate fast-paced newsroom settings and international locations, ensuring clear dialogue in constantly shifting environments. His ability to adapt to different genres and production styles has earned him industry recognition, including a BAFTA for Airport<\/em> and a nomination for Paddington Green<\/em>. John also spoke about his time on 24: Live Another Day<\/em>, where he balanced complex action sequences with high-pressure recording environments, demonstrating how experience and quick thinking are essential for a sound mixer.<\/p>\n

    Advice for Aspiring Sound Professionals<\/h3>\n

    John advised aspiring professionals to develop technical skills, gain hands-on experience, and build strong working relationships within the industry. He stressed that attention to detail is key, as minor sound issues can become major post-production problems. He recommended learning about different recording techniques, experimenting with mic placement, and understanding the physics of sound to become a well-rounded professional.<\/p>\n

    He also highlighted the importance of being adaptable and proactive. On sets where unexpected technical issues arise, being able to think on one\u2019s feet and offer quick solutions is invaluable. He recalled an instance on 24<\/em>\u00a0when a hidden microphone placement failed during a take, requiring an immediate, seamless backup solution to avoid disrupting the shoot.<\/p>\n

    Additionally, he encouraged those entering the field to shadow experienced professionals, seek mentorship opportunities, and remain up to date with industry advancements. Sound recording techniques and equipment continue to evolve, and staying informed about the latest innovations ensures ongoing career growth.<\/p>\n

    Conclusion<\/h3>\n

    John Rodda\u2019s lecture provided invaluable insights into the world of production sound mixing. His extensive experience and practical knowledge underscored the critical role of sound in storytelling. As technology continues to evolve, his insights serve as a testament to the enduring importance of high-quality sound in film and television. For those looking to enter the field, his expertise offered both inspiration and guidance, reinforcing the idea that persistence, adaptability, and a strong technical foundation are crucial to success.<\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    John Rodda\u2019s online guest lecture provided an in-depth look into the world of production sound mixing, offering a wealth of knowledge gained from his 35-year career in film and television. Covering everything from evolving sound technologies to the intricacies of mic placement, John highlighted the critical role sound plays in storytelling. He shared compelling behind-the-scenes anecdotes, including the challenges of capturing crisp dialogue in Downton Abbey\u2019s elaborate period costumes and managing sound logistics in high-pressure environments like 24: Live Another Day. His advice for aspiring professionals was both practical and inspiring, emphasising the need for technical skill, adaptability, and strong industry relationships. For anyone passionate about the art of sound, John\u2019s insights offered a masterclass in achieving high-quality audio on set.<\/p>\n","protected":false},"author":433,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[10,6,16,17],"tags":[],"class_list":["post-149","post","type-post","status-publish","format-standard","hentry","category-film","category-online-guest-lectures","category-production-sound-mixing","category-television"],"yoast_head":"\nSound Advice: John Rodda\u2019s Insights into Production Mixing - Sound Design at Edinburgh Napier University<\/title>\n<meta name=\"description\" content=\"Gain expert insights into production sound mixing with John Rodda. Discover behind-the-scenes challenges, industry innovations, and essential advice for aspiring sound professionals in this engaging guest lecture recap.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sound Advice: John Rodda\u2019s Insights into Production Mixing - Sound Design at Edinburgh Napier University\" \/>\n<meta property=\"og:description\" content=\"Gain expert insights into production sound mixing with John Rodda. Discover behind-the-scenes challenges, industry innovations, and essential advice for aspiring sound professionals in this engaging guest lecture recap.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/\" \/>\n<meta property=\"og:site_name\" content=\"Sound Design at Edinburgh Napier University\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-02T08:00:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/179\/2025\/02\/JohnRodda.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"339\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"iainmcgregor\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iainmcgregor\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/\"},\"author\":{\"name\":\"iainmcgregor\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/#\\\/schema\\\/person\\\/9409de58300c40065b9ba7f1f1db080d\"},\"headline\":\"Sound Advice: John Rodda\u2019s Insights into Production Mixing\",\"datePublished\":\"2025-06-02T08:00:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/\"},\"wordCount\":990,\"image\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/wp-content\\\/uploads\\\/sites\\\/179\\\/2025\\\/02\\\/JohnRodda.jpg\",\"articleSection\":[\"Film\",\"Online guest lectures\",\"Production sound mixing\",\"Television\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/\",\"url\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/\",\"name\":\"Sound Advice: John Rodda\u2019s Insights into Production Mixing - Sound Design at Edinburgh Napier University\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/wp-content\\\/uploads\\\/sites\\\/179\\\/2025\\\/02\\\/JohnRodda.jpg\",\"datePublished\":\"2025-06-02T08:00:07+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/#\\\/schema\\\/person\\\/9409de58300c40065b9ba7f1f1db080d\"},\"description\":\"Gain expert insights into production sound mixing with John Rodda. Discover behind-the-scenes challenges, industry innovations, and essential advice for aspiring sound professionals in this engaging guest lecture recap.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#primaryimage\",\"url\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/wp-content\\\/uploads\\\/sites\\\/179\\\/2025\\\/02\\\/JohnRodda.jpg\",\"contentUrl\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/wp-content\\\/uploads\\\/sites\\\/179\\\/2025\\\/02\\\/JohnRodda.jpg\",\"width\":339,\"height\":300,\"caption\":\"John Rodda\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/2025\\\/06\\\/02\\\/sound-advice-john-rodda-production-mixing\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sound Advice: John Rodda\u2019s Insights into Production Mixing\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/#website\",\"url\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/\",\"name\":\"Sound Design at Edinburgh Napier University\",\"description\":\"Showcasing the creativity and expertise within our School of Computing, Engineering, and the Built Environment.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/#\\\/schema\\\/person\\\/9409de58300c40065b9ba7f1f1db080d\",\"name\":\"iainmcgregor\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/005ec060b749e91cca4053012e0af4d8bb07b009b58800e31d03defd2fcec58b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/005ec060b749e91cca4053012e0af4d8bb07b009b58800e31d03defd2fcec58b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/005ec060b749e91cca4053012e0af4d8bb07b009b58800e31d03defd2fcec58b?s=96&d=mm&r=g\",\"caption\":\"iainmcgregor\"},\"url\":\"https:\\\/\\\/blogs.napier.ac.uk\\\/sounddesign\\\/author\\\/iainmcgregor\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sound Advice: John Rodda\u2019s Insights into Production Mixing - Sound Design at Edinburgh Napier University","description":"Gain expert insights into production sound mixing with John Rodda. Discover behind-the-scenes challenges, industry innovations, and essential advice for aspiring sound professionals in this engaging guest lecture recap.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/","og_locale":"en_GB","og_type":"article","og_title":"Sound Advice: John Rodda\u2019s Insights into Production Mixing - Sound Design at Edinburgh Napier University","og_description":"Gain expert insights into production sound mixing with John Rodda. Discover behind-the-scenes challenges, industry innovations, and essential advice for aspiring sound professionals in this engaging guest lecture recap.","og_url":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/","og_site_name":"Sound Design at Edinburgh Napier University","article_published_time":"2025-06-02T08:00:07+00:00","og_image":[{"width":339,"height":300,"url":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/179\/2025\/02\/JohnRodda.jpg","type":"image\/jpeg"}],"author":"iainmcgregor","twitter_card":"summary_large_image","twitter_misc":{"Written by":"iainmcgregor","Estimated reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#article","isPartOf":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/"},"author":{"name":"iainmcgregor","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/#\/schema\/person\/9409de58300c40065b9ba7f1f1db080d"},"headline":"Sound Advice: John Rodda\u2019s Insights into Production Mixing","datePublished":"2025-06-02T08:00:07+00:00","mainEntityOfPage":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/"},"wordCount":990,"image":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/179\/2025\/02\/JohnRodda.jpg","articleSection":["Film","Online guest lectures","Production sound mixing","Television"],"inLanguage":"en-GB"},{"@type":"WebPage","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/","url":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/","name":"Sound Advice: John Rodda\u2019s Insights into Production Mixing - Sound Design at Edinburgh Napier University","isPartOf":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/#website"},"primaryImageOfPage":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#primaryimage"},"image":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/179\/2025\/02\/JohnRodda.jpg","datePublished":"2025-06-02T08:00:07+00:00","author":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/#\/schema\/person\/9409de58300c40065b9ba7f1f1db080d"},"description":"Gain expert insights into production sound mixing with John Rodda. Discover behind-the-scenes challenges, industry innovations, and essential advice for aspiring sound professionals in this engaging guest lecture recap.","breadcrumb":{"@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#primaryimage","url":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/179\/2025\/02\/JohnRodda.jpg","contentUrl":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-content\/uploads\/sites\/179\/2025\/02\/JohnRodda.jpg","width":339,"height":300,"caption":"John Rodda"},{"@type":"BreadcrumbList","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/2025\/06\/02\/sound-advice-john-rodda-production-mixing\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogs.napier.ac.uk\/sounddesign\/"},{"@type":"ListItem","position":2,"name":"Sound Advice: John Rodda\u2019s Insights into Production Mixing"}]},{"@type":"WebSite","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/#website","url":"https:\/\/blogs.napier.ac.uk\/sounddesign\/","name":"Sound Design at Edinburgh Napier University","description":"Showcasing the creativity and expertise within our School of Computing, Engineering, and the Built Environment.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogs.napier.ac.uk\/sounddesign\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/blogs.napier.ac.uk\/sounddesign\/#\/schema\/person\/9409de58300c40065b9ba7f1f1db080d","name":"iainmcgregor","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/005ec060b749e91cca4053012e0af4d8bb07b009b58800e31d03defd2fcec58b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/005ec060b749e91cca4053012e0af4d8bb07b009b58800e31d03defd2fcec58b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/005ec060b749e91cca4053012e0af4d8bb07b009b58800e31d03defd2fcec58b?s=96&d=mm&r=g","caption":"iainmcgregor"},"url":"https:\/\/blogs.napier.ac.uk\/sounddesign\/author\/iainmcgregor\/"}]}},"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts\/149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/users\/433"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/comments?post=149"}],"version-history":[{"count":2,"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts\/149\/revisions"}],"predecessor-version":[{"id":153,"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/posts\/149\/revisions\/153"}],"wp:attachment":[{"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/media?parent=149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/categories?post=149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.napier.ac.uk\/sounddesign\/wp-json\/wp\/v2\/tags?post=149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}