MMP Conference 2025 Schedule<\/p>\n\n\n\n
Date<\/strong>: Tuesday 18 March 2025<\/p>\n\n\n\n Venues:<\/strong> Rooms G20, G21, G23 \u2013 Merchiston Campus, Edinburgh Napier University<\/p>\n\n\n\n Each session will be chaired by a member of the conference committee<\/a> who will be leading the proceedings, and will be supported by an academic member of staff from the Music team.<\/p>\n\n\n\n CONFERENCE SCHEDULE<\/strong><\/p>\n\n\n\n <\/p>\n\n\n\n MMP Conference 2025 Schedule Date: Tuesday 18 March 2025 Venues: Rooms G20, G21, G23 \u2013 Merchiston Campus, Edinburgh Napier University Each session will be chaired by a member of the […]<\/p>\n","protected":false},"author":386,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","footnotes":""},"class_list":["post-482","page","type-page","status-publish","hentry","post-preview"],"yoast_head":"\nSESSION 1 <\/strong><\/td> ROOM G20<\/strong><\/td> CHAIR \u2013 Lea Shek<\/strong>
Lecturer present \u2013 <\/strong>
Dr Dimitris Papageorgiou<\/td><\/tr>TIMESLOT <\/strong><\/td> PRESENTER <\/strong><\/td> PRESENTATION <\/strong><\/td><\/tr> 09:50 \u2013 10:00 <\/strong><\/td> CHAIR <\/td> Welcome\/Introductions <\/td><\/tr> 10:00 \u2013 10:20 <\/strong><\/td> Jamie Cook<\/td> Birthright Ballads: understanding the relevance and importance of \u2018truth\u2019 through the practice of folk song and remembering<\/em><\/em><\/td><\/tr> 10:20 \u2013 10:40 <\/strong><\/td> Maddy Tully <\/td> Beyond the Shore: Musical Interpretations of Scottish Selkie Mythology<\/em><\/td><\/tr> 10:40 \u2013 11:00<\/strong><\/td> Lea Shek <\/td> Spring Is Coming: Reunification and Reconciliation through Music<\/em><\/td><\/tr> 11:00 \u2013 11:10 <\/strong><\/td> BREAK <\/strong><\/td> BREAK <\/strong><\/td><\/tr> 11:10 \u2013 11:30 <\/strong><\/td> Josh Simpson <\/td> Music as a Record<\/em><\/td><\/tr> 11:30 \u2013 11:50 <\/strong><\/td> Liam Laverty<\/td> Music and Image – Protest Aesthetics <\/em><\/td><\/tr> 11:50 \u2013 12:00 <\/strong><\/td> BREAK <\/strong><\/td> BREAK <\/strong><\/td><\/tr> 12:00 \u2013 13:00 <\/strong><\/td> DISCUSSION <\/td> Group discussion
Chair concluding remarks<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\nSESSION 2 <\/strong><\/td> ROOM G21<\/strong><\/td> CHAIRS \u2013 Angus Walker & Kasia Jurek<\/strong>
Lecturers present <\/strong>\u2013
Prof Haftor Medb\u00f8e
Dr Paul Harkins<\/td><\/tr>TIMESLOT <\/strong><\/td> PRESENTER <\/strong><\/td> PRESENTATION <\/strong><\/td><\/tr> 09:30 \u2013 09:40 <\/strong><\/td> CHAIR <\/td> Welcome\/Introductions <\/td><\/tr> 09:40 \u2013 10:00 <\/strong><\/td> Jakub Zalewski<\/td> The Recording Studio and its People <\/em><\/em><\/td><\/tr> 10:00 \u2013 10:20 <\/strong><\/td> Chelle Logan <\/td> Composing for Adaptive Video Game Music: Vertical and Horizontal Techniques<\/em><\/td><\/tr> 10:20 \u2013 10:40<\/strong><\/td> Kasia Jurek <\/td> Order In The Cosmos – Designing a Contemporary Multimedia Practice<\/em><\/td><\/tr> 10:40 \u2013 10:50 <\/strong><\/td> BREAK <\/strong><\/td> BREAK <\/strong><\/td><\/tr> 10:50 \u2013 11:10 <\/strong><\/td> Angus Walker<\/td> Tacit Dialogues Between Performer and Machine<\/em><\/td><\/tr> 11:10 \u2013 11:30 <\/strong><\/td> Owen Dougan <\/td> Heavy is The Head that Captures the Sound: The Application of Binaural Recording Techniques and Workflows in Interactive Media<\/em><\/td><\/tr> 11:30 \u2013 11:50<\/strong><\/td> Cynric Acosta <\/td> Development of Analog effects circuitry; Overdrive<\/em><\/td><\/tr> 11:50 \u2013 12:00 <\/strong><\/td> BREAK <\/strong><\/td> BREAK <\/strong><\/td><\/tr> 12:00 \u2013 13:00 <\/strong><\/td> DISCUSSION <\/td> Group discussion
Chair concluding remarks
<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\nSESSION 3 <\/strong><\/td> ROOM G23<\/strong><\/td> CHAIR \u2013 Michael Palmer<\/strong>
Lecturer present \u2013 <\/strong>
Prof Zack Moir<\/td><\/tr>TIMESLOT <\/strong><\/td> PRESENTER <\/strong><\/td> PRESENTATION <\/strong><\/td><\/tr> 09:50 \u2013 10:00 <\/strong><\/td> CHAIR <\/td> Welcome\/Introductions <\/td><\/tr> 10:00 \u2013 10:20 <\/strong><\/td> Lewis Robb<\/td> Music education and the neurodiverse. How music teaching can be made better for people like me<\/em><\/em><\/td><\/tr> 10:20 \u2013 10:40 <\/strong><\/td> Michael Palmer <\/td> This Is Me – An interdisciplinary exploration into musical practice as a reflection of the sel<\/em>f<\/td><\/tr> 10:40 \u2013 11:00<\/strong><\/td> Aidan Kavanaugh<\/td> Taking the Long Way Round: Recording Liveness and Creating Authenticity in Rock Music<\/em><\/td><\/tr> 11:00 \u2013 11:10 <\/strong><\/td> BREAK <\/strong><\/td> BREAK <\/strong><\/td><\/tr> 11:10 \u2013 11:30 <\/strong><\/td> Max Kiesele<\/td> Siren Songs – How Freudian drive theory, Nick Cave\u2019s love songs and Greek mythology can help us write compelling songs about desire<\/em><\/td><\/tr> 11:30 \u2013 11:50 <\/strong><\/td> Thomas Tribe<\/td> An Exploration Of Sampling Techniques And The Worlds They Create<\/em><\/td><\/tr> 11:50 \u2013 12:00 <\/strong><\/td> BREAK <\/strong><\/td> BREAK <\/strong><\/td><\/tr> 12:00 \u2013 13:00 <\/strong><\/td> DISCUSSION <\/td> Group discussion
Chair concluding remarks<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n","protected":false},"excerpt":{"rendered":"