{"id":383,"date":"2024-01-18T16:32:33","date_gmt":"2024-01-18T16:32:33","guid":{"rendered":"https:\/\/blogs.napier.ac.uk\/mmp-conference\/?page_id=383"},"modified":"2024-03-03T18:03:29","modified_gmt":"2024-03-03T18:03:29","slug":"mmp-2024-conference-schedule","status":"publish","type":"page","link":"https:\/\/blogs.napier.ac.uk\/mmp-conference\/mmp-2024-conference-schedule\/","title":{"rendered":"MMP 2024 \u2013 Conference Schedule"},"content":{"rendered":"\n

MMP Conference 2024 Schedule <\/p>\n\n\n\n

Date<\/strong>: Tuesday 12th March 2024<\/p>\n\n\n\n

Venues:<\/strong> Rooms F5, F6, G4, G9 \u2013 Merchiston Campus, Edinburgh Napier University<\/p>\n\n\n\n

Each session will be chaired by a member of the conference committee<\/a> who will be leading the proceedings, and will be supported by an academic member of staff from the Music team.<\/p>\n\n\n\n

MMP Conference 2024 \u2013 Book of Abstracts<\/mark><\/a>Download<\/a><\/div>\n\n\n\n

CONFERENCE SCHEDULE<\/strong><\/p>\n\n\n\n

SESSION 1 <\/strong><\/td>ROOM F5<\/strong><\/td>CHAIR – Ewan McAtier<\/strong>

Lecturer present – <\/strong>Dr Paul Harkins<\/td><\/tr>
TIMESLOT <\/strong><\/td>PRESENTER <\/strong><\/td>PRESENTATION <\/strong><\/td><\/tr>
10:00 \u2013 10:10 <\/strong><\/td>CHAIR <\/td>Welcome\/Introductions <\/td><\/tr>
10:10 \u2013 10:30 <\/strong><\/td>Ewan McAtier <\/td>And The Beat Goes On… – Stimulaic Practice and Compositional Processes Within Sample-Based Music <\/em><\/em><\/td><\/tr>
10:30 \u2013 10:50 <\/strong><\/td>Jan Pukkila         <\/td>Film\/Music Analysis  <\/em><\/td><\/tr>
10:50 \u2013 11:10<\/strong><\/td>Jack Duffield <\/td>D.A.W. of the Dead: A Study of Production Techniques as Devices for Musical Storytelling <\/em><\/td><\/tr>
11:10 \u2013 11:30<\/strong><\/td>Daniel Tracey <\/td>Exploring cultural positionality: Musical compositions using Haiku as initial Stimuli <\/em><\/td><\/tr>
11:30 \u2013 11:40  <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
11:40 \u2013 12:00  <\/strong><\/td>Fraser McLean  <\/td>An exploration into whether social media is advantageous or disadvantageous to the live music scene. <\/em><\/td><\/tr>
12:00 \u2013 12:20 <\/strong><\/td>James Kennedy  <\/td>Western Perspectives on Socialist Realism Aesthetics <\/em><\/td><\/tr>
12:20 \u2013 12:30 <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
12:30 \u2013 13:30 <\/strong><\/td>DISCUSSION <\/td>Group discussion
Lecturer feedback
Chair concluding remarks<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n\n\n\n

SESSION 2 <\/strong><\/td>ROOM F6<\/strong><\/td>CHAIR – Sonny Scott <\/strong>

Lecturer present – <\/strong>Prof Zack Moir<\/td><\/tr>
TIMESLOT <\/strong><\/td>PRESENTER <\/strong><\/td>PRESENTATION <\/strong><\/td><\/tr>
10:00 \u2013 10:10 <\/strong><\/td>CHAIR <\/td>Welcome\/Introductions <\/td><\/tr>
10:10 \u2013 10:30 <\/strong><\/td>Sonny Scott  <\/td>Documenting Musical Communities: Exploring the Value, Challenges, and Best Practice <\/em><\/em><\/td><\/tr>
10:30 \u2013 10:50 <\/strong><\/td>Matthew Blance        <\/td>Identity and Authenticity in the Nu Metal Era: An Overview   <\/em><\/td><\/tr>
10:50 \u2013 11:10<\/strong><\/td>Darragh Akhtar  <\/td>Music and autobiographical memories  <\/em><\/td><\/tr>
11:10 \u2013 11:30<\/strong><\/td>Craig McDermott <\/td>Positionality and Progress <\/em><\/td><\/tr>
11:30 \u2013 11:40  <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
11:40 \u2013 12:00  <\/strong><\/td>Erin McKenzie  <\/td>Music for Skandar and the Unicorn Thief <\/em><\/td><\/tr>
12:00 \u2013 12:20 <\/strong><\/td>Douglas McNeill   <\/td>The Multivariate Accordion and Me  <\/em><\/td><\/tr>
12:20 \u2013 12:30 <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
12:30 \u2013 13:30 <\/strong><\/td>DISCUSSION <\/td>Group discussion
Lecturer feedback
Chair concluding remarks <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n\n\n\n

SESSION 3 <\/strong><\/td>ROOM G4<\/strong><\/td>CHAIR – Anna Cooper  <\/strong>

Lecturer present – <\/strong>Dr Dimitris Papageorgiou<\/td><\/tr>
TIMESLOT <\/strong><\/td>PRESENTER <\/strong><\/td>PRESENTATION <\/strong><\/td><\/tr>
10:00 \u2013 10:10 <\/strong><\/td>CHAIR <\/td>Welcome\/Introductions <\/td><\/tr>
10:10 \u2013 10:30 <\/strong><\/td>Anna Cooper <\/td>Modern Rave and commercialised communitas  <\/em><\/em><\/td><\/tr>
10:30 \u2013 10:50 <\/strong><\/td>Finlay Bradshaw         <\/td>When The World Falls Apart, Some Things Stay In Place; A Study into the Evolution of Compositional Techniques and Marketing Strategies of Popular Music under Margaret Thatcher\u2019s Premiership <\/em><\/td><\/tr>
10:50 \u2013 11:10<\/strong><\/td>Manuele Manieri <\/td>Melodies of Belonging: Italian Progressive Rock and the Expression of National Identity  <\/em><\/td><\/tr>
11:10 \u2013 11:30<\/strong><\/td>Rachel Nicolson <\/td>Imposter Syndrome in Female Instruments<\/em><\/td><\/tr>
11:30 \u2013 11:40  <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
11:40 \u2013 12:00  <\/strong><\/td>Sam Rae <\/td>The Undercurrents of Living Water Artistry – researching Thriving Culture of Christian Creativity <\/em><\/td><\/tr>
12:00 \u2013 12:20 <\/strong><\/td>Cameron Black <\/td>Urban and Natural World in Harmony: A Practice-Led Inquiry into Tokyo’s Soundscape Experience  <\/em><\/td><\/tr>
12:20 \u2013 12:40<\/strong><\/td>Alex McLean <\/td>Untold Tales – LGBTQ+ Stories Through Song<\/em> <\/td><\/tr>
12:40 \u2013 12:45 <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
12:45 \u2013 13:30 <\/strong><\/td>DISCUSSION <\/td>Group discussion
Lecturer feedback
Chair concluding remarks<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n\n\n\n

SESSION 4 <\/strong><\/td>ROOM G9<\/strong><\/td>CHAIR – Will Saywell  <\/strong>

Lecturer present – <\/strong>Bryden Stillie<\/td><\/tr>
TIMESLOT <\/strong><\/td>PRESENTER <\/strong><\/td>PRESENTATION <\/strong><\/td><\/tr>
10:00 \u2013 10:10 <\/strong><\/td>CHAIR <\/td>Welcome\/Introductions <\/td><\/tr>
10:10 \u2013 10:30 <\/strong><\/td>Will Saywell <\/td>The Role of a Producer in the Context of Recording Amateur Musicians   <\/em><\/em><\/td><\/tr>
10:30 \u2013 10:50 <\/strong><\/td>Andrew McInnes         <\/td>Understanding and Developing Roads In Musical Collaboration<\/em><\/td><\/tr>
10:50 \u2013 11:10<\/strong><\/td>Seamus Dailly <\/td>Remote Collaboration: An experiential study of the compositional process <\/em><\/td><\/tr>
11:10 \u2013 11:30<\/strong><\/td>Alistair McBride <\/td>Bedroom Productions- The Creative Processes of Home Studio Producers  <\/em><\/td><\/tr>
11:30 \u2013 11:40  <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
11:40 \u2013 12:00  <\/strong><\/td>Niamh MacLennan   <\/td>The Evolution of Scottish Gaelic Singing:  Traditional Purism<\/em><\/td><\/tr>
12:00 \u2013 12:20 <\/strong><\/td>Natalia Zoladkiewicz  <\/td>Authenticity of Vocal Performance <\/em><\/td><\/tr>
12:20 \u2013 12:30 <\/strong><\/td>BREAK <\/strong><\/td>BREAK <\/strong><\/td><\/tr>
12:30 \u2013 13:30 <\/strong><\/td>DISCUSSION <\/td>Group discussion
Lecturer feedback
Chair concluding remarks <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

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