Tag: #SoundDesign

  • Listening to the Mountains: Reflections from the PEMS Study at Euronoise 2025

    When we think of mountains, we picture towering peaks, sweeping valleys, and dramatic skies. Yet, at Forum Acusticum / Euronoise 2025: 11th Convention of the European Acoustics Association in Málaga, we explored something less visible but equally powerful: the soundscapes that define these environments. Our paper, PEMS: People’s Experience of Mountain Soundscapes, presented findings from a global survey of mountaineers and hikers, revealing how sound shapes safety, navigation, and emotional connection in the high places we love.

    Why Soundscapes Matter in the Mountains

    Mountains are dynamic acoustic environments. Wind whistling through ridges, water cascading down slopes, birds calling across valleys—these sounds are not just aesthetic; they are functional. In low-visibility conditions, auditory cues often become lifelines. Creaking ice can warn of instability, a distant rumble may signal rockfall, and the muffled “wumph” of snow can indicate avalanche risk. These natural signals complement visual information, helping mountaineers make critical decisions.

    But soundscapes are more than survival tools. They shape our emotional experience. Participants in our study described feelings of peace, awe, and excitement triggered by natural sounds. Silence itself—often rare in our urbanized lives—was seen as a profound marker of remoteness and fragility.

    The Study at a Glance

    Our research involved 219 participants from 27 countries, ranging from casual hillwalkers to seasoned mountaineers. The median age was 51, and most reported no hearing loss (88%). Interestingly, 17% were audio professionals, adding a unique perspective on acoustic awareness.

    Activities varied widely: hiking and hillwalking dominated, but responses also came from climbers, photographers, and even professional bird surveyors. This diversity enriched the dataset, revealing how soundscapes influence both technical and recreational engagement with mountains.

     

    How Participants Rated Mountain Soundscapes

    On a scale from 1 (unpleasant) to 5 (pleasant), mountain soundscapes scored a median of 4. Natural sounds—birdsong, wind, running water—were consistently praised for their calming and immersive qualities. These elements fostered a sense of connection to nature and offered psychological restoration.

    Conversely, human-made noise was the villain of the story. Traffic, aircraft, and overcrowding were repeatedly cited as disruptive, masking natural cues and eroding the sense of wilderness. Overcrowding and biodiversity loss were also mentioned as factors diminishing acoustic richness.

    What We Hear Up There

    The most frequently reported sounds were wind, birds, and water, each with a median frequency of 4 on a 1–5 scale. These were also among the highest-rated, with birds and water achieving a median rating of 5. Silence and wildlife sounds followed closely, reinforcing their value in creating tranquil, restorative experiences.

    On the other end of the spectrum, traffic noise and rockfall were least frequent and least appreciated. While rockfall is a natural phenomenon, its association with danger explains its lower rating (median 3). Traffic noise, unsurprisingly, scored just 1—an unwelcome reminder of human intrusion.

    Soundscapes as Navigation Tools

    One of the most striking findings was the role of sound in navigation. 169 participants said they used auditory cues to orient themselves. Examples included following the sound of rivers during foggy conditions or using wind direction to estimate proximity to ridges. In some cases, anthropogenic sounds—voices, distant traffic—helped locate groups or roads when visibility was poor.

    Real-life anecdotes brought this to life. One participant recalled a misty fell race in the Duddon Valley, where the sound of a river guided them to a checkpoint. Another described navigating thick fog by listening for flowing water, confirming their position when visual cues failed.

    Soundscapes and Safety

    Safety was another domain where sound proved indispensable. 189 participants reported using auditory information for risk assessment. Wind intensity often signaled exposure or approaching storms. Creaking snow and groaning ice warned of instability, while the distinctive “wumph” indicated potential avalanche conditions. Rockfalls and rushing streams also served as hazard indicators, influencing route choices.

    Group communication emerged as a critical safety factor. Hearing teammates’ voices in poor visibility or during emergencies reinforced collective awareness and coordination.

    Understanding the Environment

    Beyond navigation and safety, soundscapes deepen environmental understanding. 193 participants said sound helped them interpret surroundings. Water sounds revealed terrain features, while wildlife calls highlighted biodiversity. Silence itself conveyed remoteness and fragility, amplifying the sense of solitude and connection to nature.

    Challenges and Disruptions

    While natural sounds were celebrated, anthropogenic noise was a recurring frustration. Traffic, aircraft, and drone activity were seen as intrusive, masking vital cues and diminishing the immersive experience. Overcrowding compounded the issue, introducing chatter and mechanical noise into spaces once defined by tranquillity.

    Looking Ahead: Technology and Conservation

    Our findings underscore the need to preserve natural soundscapes—not just for ecological integrity but for human experience and safety. Future research should explore:

    • Inclusive design for individuals with hearing impairments.
    • Longitudinal studies on climate change and biodiversity loss impacts on acoustic environments.
    • Technological integration, such as AI and AR tools that amplify natural cues for navigation and hazard detection.
    • Public education initiatives to raise awareness about noise pollution in mountain regions.

    Imagine wearable devices that isolate critical sounds—like creaking ice or distant water—while filtering out disruptive noise. Or interactive soundscape maps that help hikers anticipate acoustic conditions along their route. These innovations could transform how we engage with mountains, blending tradition with technology.

    Final Thoughts

    Presenting this work at Euronoise 2025 was a reminder that mountains speak—and we need to listen. Soundscapes are not passive backdrops; they are active, dynamic systems that inform, protect, and inspire. As human activity expands into remote areas, safeguarding these acoustic environments becomes as urgent as preserving the visual landscapes we so admire.

    The next time you venture into the hills, pause and tune in. The wind, the water, the silence—they’re telling you a story. And if our research has shown anything, it’s that listening can make the difference between awe and danger, serenity and stress.

     

    References

    Donato, B. D., & Mcgregor, I. (2025, June 23-26). PEMS: Peoples Experience Of Mountain Soundscapes. Forum Acusticum / Euronoise 2025: 11th Convention of the European Acoustics Association, Málaga, Spain. https://euracoustics.org/conferences/forum-acusticum/

     

    Author – Dr Balandino Di Donato

  • Reflections on Graduation and a New Academic Year

    BSc graduates Oran Talbot, Mitchell MacPherson, Andrew Clelland, and Aedan Wilson after receiving their awards.
    BSc graduates Oran Talbot, Mitchell MacPherson, Andrew Clelland, and Aedan Wilson after receiving their awards.

    This week marks Freshers’ Week at Edinburgh Napier University—the beginning of a new academic year and a time when I welcome new MSc Sound Design students. For the first time, I’ll be greeting both on-campus students and those joining us from around the world. Alongside in-person attendance, we’re introducing new modules designed to challenge and inspire.

    But before diving into Trimester 1, I’d like to take a moment to reflect on a key event from the previous trimester: graduation.


    Celebrating Success at the Usher Hall

    In July, we held our summer graduation ceremony at the iconic Usher Hall in Edinburgh. Six students from the MSc Sound Design programme were awarded their degrees. While three couldn’t attend in person, the other three travelled from England, Italy, and the USA to celebrate their achievements.

    MSc graduate Federico Aramini with his MSc award
    MSc graduate Federico Aramini with his MSc award

    Their dissertations covered a fascinating range of topics, including:

    • Infrasound in horror films
    • Sound design in smart homes
    • Game audio adapted for age-related hearing loss
    • Authenticity of AI in podcasts
    • Techniques to improve dialogue intelligibility

    As always, supervising these projects was a learning experience for me too.


    My First Time on the Graduation Stage

    The day was a glorious summer’s day. After locating the staff entrance, donning a gown, and blagging a hat, I joined the academic procession into the hall. This was my first time participating in such a ceremony—my last ENU graduation was when I received my honours degree in electronics, more years ago than I care to admit!

    I found myself seated at the edge of the front row, with the Chancellor’s procession front and centre. The speeches were heartfelt, praising students for their hard work and thanking their loved ones for their support. It was a resonant reminder of the sacrifices made by those closest to our students.


    A Moment of Pride

    As the awards were handed out, I spotted several MSc and BSc Sound Design students I had supervised. I was the only lecturer from the Sound Design team present, so I clapped especially enthusiastically when our students crossed the stage—doing my best to make some noise from behind the Chancellor!

    One student even gave me a big thumbs-up as they walked across the stage—a lovely moment of levity and pride.

    It’s easy to forget how transformative the journey through postgraduate study can be. Many of these students began with uncertainty, juggling work, family, and study. Seeing them walk across the stage, confident and accomplished, was a powerful indication of why we do what we do. Their success is not just academic—it’s personal, creative, and deeply human.


    Sunshine, Smiles, and Goodbyes

    MSc graduate Amanda Rainey travelled all the way from Nashville, USA, to receive her MSc award.
    MSc graduate Amanda Rainey travelled all the way from Nashville, USA, to receive her MSc award.

    After the ceremony, we stepped out into the sunshine to meet students and their families. Hands were shaken, photos were taken, and robes were returned. There was laughter, hugs, and a few emotional moments as students said goodbye to classmates and staff.

    Graduation is always bittersweet. While it marks the end of one chapter, it also signals the beginning of new adventures. I’m excited to see where our graduates go next—and equally excited to welcome the next cohort of students ready to begin their own journey.


    Looking Ahead

    This year, the MSc Sound Design programme continues to evolve. We’ve introduced three new modules: Advanced AI for Audio and Sound DesignIntroduction to Audio Programming, and Soundscapes. These additions reflect the changing landscape of sound design and aim to give students fresh opportunities to explore emerging technologies and creative practices.

    It’s an exciting time to be teaching and learning in this field. The boundaries of sound design are expanding rapidly, and our students are right at the edge of that frontier. Whether they’re interested in immersive audio, interactive media, or sonic arts, the programme now offers even more pathways to explore.